CD Player/Transport Reviews

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Naim CD5 CD player with Flatcap 2 power supply

Give an engineering team a blank page and a blank check and there's no telling what they'll come up with. At the Consumer Electronics Show in Las Vegas in January, for example, one company showed a $25,000">http://www.stereophile.com//digitalsourcereviews/430/">$25,000 CD transport with laser-pickup mechanism that was separate from its disc drive—almost the cosmic equivalent of having the sun revolve around the earth.


Linn Classik CD receiver

Over the past two decades, enough advances in the high-end audio industry have trickled down to aspiring audiophiles that we now enjoy a level of high-value, high-resolution performance that would have seemed unattainable even just a few years ago. Still, immersion in a profound musical experience remains an ephemeral goal to potential converts, given the level of expertise that seems necessary to assemble a truly audiophile set of separates.


Oracle CD player

After two decades of motorcycling, I recently achieved a long-held goal by buying a bike built by Bimota, a tiny Italian manufacturer. Although Bimota engages in a wide range of activities, from two-stroke engine design to racing, they're best known for their exotic, hand-built street bikes. They always include the very best components and feature cutting-edge engineering and performance, but what they're truly revered for is their style. Bimotas unfailingly combine shapes, textures, and finishes into motorcycles that are most often referred to as "works of art."


Burmester Reference Line 970 D/A converter & 969 CD transport

My first exposure to Burmester electronics was some years back at a New York Hi-Fi Show, where they were powering a pair of B&W">http://www.stereophile.com/floorloudspeakers/207">B&W 801s and impressed the hell out of me. But Burmester's distribution seemed sporadic and the prices beyond my consideration, so I put them out of my mind.


mbl 1611HR D/A converter & 1621 CD transport

More than a decade ago, I bought a new pair of speakers and sought to find the most suitable cables for them. After auditioning a number of borrowed sets, I enlisted my daughter to confirm my selection. She grew up in a household where there was always good music playing on good equipment, but had no active interest in either. To placate Dad, she listened to a few of her own recordings with each of the various cables and then, lo and behold, reached the same conclusion I had. In fact, she described the differences almost exactly as I would have. I was ecstatic. Not only did it confirm my opinions about the cables, but it confirmed to me that any motivated listener can hear what golden-ear audiophiles obsess about. As I tried to express my joy to her, she left the room with this parting shot: "Yes, of course, but who cares?"


Wadia Digital 830 CD player

"The bottom line is that good stuff really is better, and unfortunately, it usually costs more," proclaimed my friend Charlie over lunch one day. Our conversation had drifted to our newest toys, and although Charlie isn't an audiophile, he's passionate about his hobbies and appreciates performance and quality. He'll talk animatedly about exotic mountain bikes or Leica cameras, for example, and he has a garage full of Snap-On hand tools. Last winter he conducted an exhaustive search before selecting a particular pair of Zeiss binoculars—and the price of one of his James Purdey or 1930s-vintage Charles Daly shotguns would stagger even a veteran audiophile.


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