Solid State Power Amp Reviews

Recently, on the Stereophile Web">http://forum.stereophile.com/forum/ubbthreads.php">Web forum, reader Natal commented on Robert J. Reina's review of the Creek">http://www.stereophile.com/integratedamps/107creek">Creek Audio Destiny integrated amplifier in the January 2007 issue: "Maybe it's just me but I've never found any piece of electronic equipment sexy."

The last Classé power amplifier I reviewed, back in November 2004, was the imposing Omega">http://www.stereophile.com/solidpoweramps/1104classe">Omega Omicron monoblock ($20,000/pair), which made glorious sound with the Revel">http://www.stereophile.com/floorloudspeakers/302">Revel Ultima Studio speakers. But things change. First, my reference speakers are now B&W">http://www.stereophile.com/floorloudspeakers/1205bw">B&W 802Ds. Second, my system now has three front speakers, supplemented by two B&W 804S speakers for surround sound. While a quintet of Omicrons would undoubtedly be dandy, five such monoliths would take up so much space that I'd be wondering about their effects on the room's sound. With so many channels, it seemed time to investigate whether a multichannel amp could carry the load.

Talk about going from the ridiculous to the sublime. One day I'm reviewing the $139 Sonic">http://www.stereophile.com/solidpoweramps/1006sonic">Sonic Impact Super T power amplifier, and the next day Krell Industries delivers their $10,000 Evolution 505 SACD/CD player, $15,000 Evolution 202 preamplifier, and their $30,000/pair Evolution 600 monoblocks.

Why don't you review affordable gear?

When most of us think about the folks who populate the high-end audio industry, we tend to conjure up the designers—the names above the titles, as it were. Or, in many cases, the names that are the titles: Richard">http://www.stereophile.com/interviews/688vandersteen">Richard Vandersteen, Jim">http://www.stereophile.com/interviews/221">Jim Thiel, Bill Conrad and Lew Johnson, Mike Creek, to name just a few.

When I went to my shelf of Stereophile back issues to find Paul Bolin's seminal">http://www.stereophile.com/solidpoweramps/683">seminal review of the Halcro dm58, I was shocked to find myself leafing further and further back—through not only 2004 but 2003 as well, all the way back to October 2002 (Vol.25 No.10). It doesn't seem possible that it's been almost four years since Halcro exploded onto our radar screens, the dm58 emblazoned on that issue's cover alongside the banner headline "THE BEST AMPLIFIER EVER!"

Where does one start with the Moscode 401HR? With its design, which marries a tube driver stage to a MOSFET power output? Or perhaps with its designer, George Kaye, who refined Julius Futterman's OTL amplifier circuits before creating New York Audio Labs' original hybrid amplifier, the Moscode 300, in 1984?