Floor Loudspeaker Reviews

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Tidal Audio Akira loudspeaker

Doug White, of Philadelphia-area retailer The Voice That Is, has been a fixture at US audio shows the past few years, where he always gets great sound using loudspeakers from Tidal Audio. (There is no connection between the German audio manufacturer and the music-streaming service owned by Jay Z and Sprint.) In early 2017, Herb Reichert, Jana Dagdagan, and I visited White and spent a delightful afternoon listening to Tidal's then-new Akira loudspeakers. I promised myself to review the Akira, which costs a wallet-straining $215,000/pair, when my schedule opened up. As things turned out, it was more than a year before that opportunity presented itself.

Paradigm Persona 5F loudspeaker

Since its founding in 1982, Paradigm has developed and sold high-value loudspeakers. When my wife and I acquired our weekend house in 1992, I selected a pair of Paradigm Esprit/BP speakers for our audio system there. Shortly thereafter, however, I wanted to take my big step into multichannel, and it seemed that the Esprits' bipolar radiation would present problems for multichannel sound in my relatively small room. Back then, Manhattan still had many audio salons; after shopping around, I replaced the Esprit/BPs with Paradigm's Reference Studio/60 v.2s, and in 2004 stepped up to the Studio/60 v.3s.

Sonus Faber Aida loudspeaker

In 1959, in their musical revue At the Drop of a Hat, the British musical-comedy team of Flanders and Swann sang their "Song of Reproduction." It's not about sex. The song mocks audiophiles (you thought this was something recent?) for how we spend "all of that money to get the exact effect of an orchestra actually playing in their sitting room." Before launching into the song, Flanders quips, "Personally, I can't think of anything I should hate more than having an orchestra playing in my sitting room!"

Wilson Audio Specialties Alexia Series 2 loudspeaker

One of the benefits of being a reviewer is that, of the large number of products that pass through my listening room, occasionally there are those that I really would like to see take up more permanent residence. One of these was Wilson Audio Specialties' Alexia loudspeaker, which I reviewed in December 2013. "Its clarity, its uncolored, full-range balance, its flexibility in setup and optimization, and most of all its sheer musicality, are, if not unrivaled, rare," I wrote, and concluded: "If I were to retire tomorrow, the Wilson Alexia would be the speaker I would buy to provide the musical accompaniment to that retirement." Nothing I subsequently heard disabused me of that dream, though a couple of other speakers, in particular Vivid Audio's Giya G3 and KEF's Blade Two, joined the Alexia on my bucket list.

Bowers & Wilkins 702 S2 loudspeaker

Late in the summer of 2015, I was one of the press representatives invited by Bowers & Wilkins to visit their R&D center in Steyning, West Sussex, England, and be given a detailed preview of the upcoming revision of their entire 800 series of loudspeaker models. Both the technical presentation and the tours impressively demonstrated the comprehensive redesign process that resulted in speakers that were superficially similar but entirely different from their predecessors. Of the new series, I reviewed the 802 D3 Diamond, a pair of which now sit in my listening room as my current reference speakers.

Monitor Audio Silver 300 loudspeaker

It seems to me that my review of Monitor Audio's Silver 8 loudspeaker was published only a few months ago. Actually, it's been three years. The Silver 8 so impressed me that I bought three of them, along with two Silver 2 bookshelf speakers, for my multichannel system in Connecticut—and still greet them as the newcomers to my system. So installing and reviewing their successors, the 300, from the sixth generation of Monitor's Silver line, seemed very familiar.

Alta Audio Hestia Titanium loudspeaker

Phrases like high fidelity and perfectionist audio suggest a central norm to which all things audio should aspire. Not a bad idea, in some ways, but if you look at the wide variety of loudspeakers out there that people love, from the old-school Auditorium 23s to the high-tech KEFs and Vivids, it can be hard to figure out what they all have in common.

Vivid Audio Giya G1 Spirit loudspeaker

It's been more than seven years since the late Wes Phillips reviewed Vivid Audio's top-of-the-line loudspeaker, the Giya G1, for Stereophile, and since then the speaker has been seriously revised. At first glance you still notice the sui generis form; closer inspection reveals fundamental changes that make it, in most respects, an entirely new speaker.

GoldenEar Technology Triton Reference loudspeaker

Back in January 2010, in Las Vegas for the Consumer Electronics Show, I was prowling the corridors of the Venetian Hotel when I bumped into loudspeaker auteur Sandy Gross, cofounder first of Polk Audio and then of Definitive Technology. Knowing that Gross was no longer associated with Definitive, I asked him what he was getting up to in his retirement.


Retirement? He showed me a photo of a plain, cloth-covered, black tower speaker and promised to keep in touch. When next I heard from him, it was to announce that, along with his wife, Anne Conaway, and his former partner at DefTech, Don Givogue, he had started a new loudspeaker company, GoldenEar Technology, Inc., and that the plain black loudspeaker was the first in a line of models to be named Triton.

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