The battle rages on in the audio shops, the pages of <I>Stereophile</I>, and in the online news groups: Subjectivist (relies on direct experience to judge audio quality) versus Objectivist (relies on experimental evidence to judge differences and quality). What are your tendencies?
Audio equipment prices range from dirt cheap to off-the-chart. How does price affect your perception of products?
Have you ever noticed a time of day when your musical enjoyment seems to be consistently at its peak?
New music, or a fresh interpretation of an old classic, is what keeps a music lover's life interesting. What three releases have been in heavy rotation for you recently?
It's the season when <I>Stereophile</I> salutes the Products of the Year. You can read about our picks in print this month's (December) issue, or on the Web next week. But in the meantime, what is your choice for this year's best?
No question that most audiophiles who read <I>Stereophile</I> are concerned about the performance of their home systems, but what about their car systems?
Last week's question about car systems prompted many readers to respond that their car is the only place where they can crank up an audio system. Are you restricted to quieter-than-ideal listening levels at home?
Forget about reality! If you could make any audiophile dream come true in 2001, whether for yourself or the entire industry, what would it be?
Did you get any new gear or music for the holidays?
We've probably all bought an audio product only to find that it sported one or two entirely useless or poorly designed "features." Reader Michael P. Healey wonders what is the most egregious example of a bad feature you can think of?