Munich 2023

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Jason Victor Serinus  |  May 28, 2023  | 
You read it here first. After aeons of confusion over the Canadian company's name—is it Moon, is it Simaudio, or is it Simaudio by Moon?—our friends to the North are poised to finally resolve the issue. But before their Moon launch, they are launching their first new product range in 10 years, the upper-echelon North Collection. Consisting of three products, two in the 600 range, two in the 700, and two in the 800, all are full balanced designs.

Costa Koulisakis (above), the extremely knowledgeable and articulate public face of whatever they're called, began with the 641 all-analog, 125Wpc integrated amplifier ($11,000) and 681 streaming DAC ($12,000), which has fixed and variable outputs that does up to 32/384 MQA and DSD256.

Jason Victor Serinus  |  May 28, 2023  | 
Twenty-five years after their founding, and 16 years after Stereophile last reviewed a Peak Consult loudspeaker, the Danish company released its new 500lb Dragon Legacy ($225,000/pair) at Munich High End. At the same time, Peak Consult, which Wilfried Ehrenholz, former audio of Dynaudio, took over in 2014, is finally beginning to reach out to the US market. After hearing the Dragon Legacy, I'm convinced that Sunil Merchant of Sunny's Components in E. Covina, CA will soon be joined by other dealers in the US.
Jason Victor Serinus  |  May 29, 2023  | 
What a show. During its four days in the MOC event center, the first two reserved for industry and press, Munich High End attracted 22,137 visitors from approximately 100 different countries. With 550 exhibitors and more than 1000 brands from 54 nations, they had plenty to hear and see.
Jason Victor Serinus  |  May 18, 2023  | 
This sign may not look auspicious, situated as it is over a trash basket. But this poster next to the exit stairs of the Kieferngarten stop of the U-Bahn, Munich's equivalent of the Bay Area Rapid Transit (BART) system's network of underground and overground trains, was essential for people walking from the train to Munich High End's home in the MOC.

Nor was it the only sign I encountered. Many subways stops—even the airport—displayed large posters announcing the annual well-attended Munich High End audio show.

Jason Victor Serinus  |  May 26, 2023  | 
There was a lot to take in in the Nordost room at Munich High End. Building upon the upgraded QB8 Mark III AC Distribution Unit ($2300), which I described after it first appeared at AXPONA 2023 in Chicago, the company previewed the QBase Reference, aka the QB10 ($18,000), which is expected in the late summer or early fall. Equipped with 10 outlets and a 20-amp IEC, the QBase Reference includes heavy-grade wire and traces capable of supporting high-current amplifiers. Think of it as a fully maxed out, 32A-capable power distribution unit.
Jason Victor Serinus  |  May 24, 2023  | 
For years, David Chesky has kept me abreast of developments and updates to Princeton Professor Edgar Y. Choueiri's BACCH-SP Adio System. Happily, the word is out. When I entered the room, none other than Stereophile's Alex Halberstadt was sitting in the prime seat, receiving all the benefits of the fully-loaded BACCH-SP system ($37,780).
Jason Victor Serinus  |  May 24, 2023  | 
How Raidho manages to produce such an extreme, seeming full range sound from a floorstander as diminutive as the X2t (€14,000/pair) I do not know. But perhaps its planar-magnetic tweeter, which is almost the same as in the much larger TD6, has something to do with it. The speaker, which replaces the X2, also has contains 5.25" bass drivers with an extremely stiff tantalum-coated membrane, Nordost internal cabling, Mundorf capacitors, special decoupling feet that include metal balls, and 2.5-way construction. Crossover components have been improved, and are hard-wired point-to-point, and the loudspeaker has been completely retuned.
Jason Victor Serinus  |  May 24, 2023  | 
Of the fraction of rooms and booths I was able to cover at Munich High End 2023—the "I wish I could have" list is at least as long as that of the exhibits I enjoyed—Rockport Technologies' triumphant meeting of its Orion loudspeaker ($133,000/pair–$143,000/pair with the custom finish shown) with Absolare's Altius phonostage ($52,000), Eternum preamplifier ($85,000), and Hybrid Altius monoblocks ($120,000/pair) was an unqualified triumph. There was, of course, far more in the system than those four components, but what's most important is the effect of the music on visitors. As Absolare's Kerem Küçükaslan cued up "You Look Good to Me" on a classic Oscar Peterson LP, everyone sat at rap attention. Ella and Satchmo's "Isn't it a Lovely Day" sounded about as warm, luscious, liquid, musical, and dreamy (as in "If this is a dream, please don't wake me up") as it gets.
Jason Victor Serinus  |  May 19, 2023  | 
SteinMusic's apparent paradox, a striking black-and-white equipment array that's on track to win my Looker Award of High End 2023 but that delivered maximally colorful sound, attracted throngs to the company's room. On Sir Simon Rattle's recording of Stravinsky's The Firebird Suite, performed by the City of Birmingham Orchestra, and Musica Nuda's live recording of "I Will Survive," Holger Stein's system delivered an arresting three-dimensional soundstage and marvelous range of colors.
Jason Victor Serinus  |  May 27, 2023  | 
"We always wanted a distribution bar," Stromtank CEO Wolfgang Meletzky explained as he held the device with Annett Dehmel, Stromtank Managing Director. "So, we developed the SEQ 5 (approx. $4000, if I read my scribble correctly), which contains custom-made outlets with special rhodium-plated pure copper contacts." (Furutech GTX-D-NFC receptacles are available as an option.) The AC inlet, which can receive up to 2000W of 120V power and 2800W of 230V power, includes Nano Crystal Formular contacts and a 6.3 × 32mm Slo-Blo fuse.
Jason Victor Serinus  |  May 29, 2023  | 
It had been far too long since I'd experienced a Peter McGrath demo, let alone one in which the master recording engineer and Wilson Audio Brand Ambassador had a full hour to share his recordings. At last, on Sunday at 2pm at Munich High End 2023, Peter followed Abby Fon of Impex Records' packed presentation on Al Di Meola, John McLaughlin, Paco DeLucia: Saturday Night in San Francisco 12 • 6 • 80 to spend an hour in the Nagra room playing a generous helping of some of the favorite tracks that he's recorded over the years.
Jason Victor Serinus  |  May 26, 2023  | 
Although I never managed to meet Daniel Weiss over two days of trying—his son, Joschka Weiss (above), even took me to the company's booth to show me the discrete analog operational amplifier used in the new Weiss Helios DAC ($18,000) and introduce me to his dad, who was elsewhere—I was mighty impressed by what I heard.
Michael Trei  |  Jul 27, 2023  | 
At High End Munich, Michael Trei chats with Thorens CEO Gunter Kürten (right) about the Thorens Reference turntable's active suspension. (Photo: Jeff Joseph.)

It's hard to convey the scope of the annual High End Munich audio show to someone who has never attended. Spread out over three floors of a large facility called the Munich Order Center (MOC), the show is notable for how different it is from audio shows in the US. The ground floor is an area about the size of three American football fields, where brands set up professional trade show booths to display their wares. This is a long way from the draped folding tables and back curtain on a rail that defines a "show booth" at most US shows. What you'll find on this level is mostly static displays, although scattered among the displays you'll find prefabricated sound rooms, acoustically designed spaces designed to allow live demonstrations on the ground floor.

My main focus at the show was to try to root out interesting new record-playing gear. I was not disappointed. Here are a few select highlights from what I saw at the show.

Jason Victor Serinus  |  May 26, 2023  | 
Tidal (technically pronounced "tee-dahl" rather than "tie-dull") of Germany, headed by Jörn Janczak and repped in the US by Doug White, arranged two private displays for press and distributors. Jim Austin got to hear the forthcoming Tidal for Bugatti system, which includes the company's forthcoming cost-no-object loudspeaker. For this Stereophile reviewer, however, Tidal demmed the system that included the company's new Contriva G3 loudspeakers ($79,000/pair) with the Contros Digital Controller ($60,000), Intra Stereo Amplifier ($28,000), and Tidal Reference XLR, power, and speaker cables.
Jason Victor Serinus  |  May 26, 2023  | 
If you're looking for a simple-to-set-up, active floorstander, Vienna Acoustics brand new Mozart Infinity Active (€12,000/pair and available in a few weeks) might just fit the bill. On Jason Mraz's "I Won't Give Up," the Mozart Infinity Active stuck to its guns and delivered nice, colorful, large, and solid hi-fi sound.

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