CES 2017

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Jason Victor Serinus  |  Jan 07, 2017  |  4 comments
Harmonic Resolution Systems (HRS) showed its new top-of-the-line VXR Audio Stand ($25,000-$31,000 for a four-shelf stand). The VXR, which sports a new frame system, lets the user adjust the amount of space between each component shelf…
Jason Victor Serinus  |  Jan 05, 2017  |  4 comments
What is not clear, at this moment, is how many premieres we will actually encounter…
Herb Reichert  |  Jan 11, 2017  |  0 comments
Perhaps because of Bent Holter's recent revision of his "distortion-reducing" SoundEngine technology, the elegant Röst drove the desktop-mounted KEF-LS50s with purity, lust, and musical authority…
Larry Greenhill  |  Jan 09, 2017  |  0 comments
The Heisenberg—Audionet's largest and most powerful monoblock amplifier—was on display in a portion of the suite shared with YG Acoustics…
Jason Victor Serinus  |  Jan 07, 2017  |  3 comments
At least one exhibitor informed me, at the end of Day Two, that a lot of people he encountered thought that hi-res referred solely to streaming. This exhibitor found that visitors were quite attracted to the Astell&Kern portable audio players that were located near his exhibit, but pretty clueless as to sound quality of his far more expensive gear…
Jason Victor Serinus  |  Jan 09, 2017  |  0 comments
In response to requests for a more affordable cable that's truly high end, High Fidelity Cable founder Rick Schultz has introduced the company's entry-level Reveal interconnect ($699/1m pair) and speaker cable ($1399/2m pair).
Robert Deutsch  |  Jan 09, 2017  |  1 comments
A 2017 CES Innovation Awards honoree, the HiVi Swan MS-10 ($4000 per pair) is a wireless active stereo system that resembles no loudspeaker that I've seen. (I kept thinking that it looks like one of those "ergonomic" office chairs.)
Herb Reichert  |  Jan 08, 2017  |  6 comments
Last year I liked these HRT (High Resolution Technologies) Stage loudspeakers ($500/pair, plus $800 for companion Sound Anchor stands), and this year I love them…
Herb Reichert  |  Jan 13, 2017  |  0 comments
Besides the TIA's thick copper top deck (and copper remote handset), the 280R features full point-to-point-wired, dual-mono construction with one GZ34 rectifier tube per channel…
Jon Iverson  |  Jan 08, 2017  |  4 comments
Photo: John Atkinson

It's safe to say our experiment bringing Jake Shimabukuro to CES this year as a live music reference worked out pretty well. Response was overwhelmingly positive and we're sifting through the comments and will start filing reports on each of the seven rooms we visited over the next week or so.
Jon Iverson  |  Jan 12, 2017  |  1 comments
Available elevators at CES are usually scarce, so seasoned show-goers hit the stairs at the end of each floor to move up or down. Since the Simaudio room was right next to the stairs, we decided to head straight up five floors to the 35th where distributor Bluebird Music had their nest in one of the larger Venetian suites. Jake bounced up the stairs no problem carrying his ukulele, the rest of us maybe a tad more winded. But we made it and were greeted by the Bluebird and Chord crew as we entered.
Jon Iverson  |  Jan 13, 2017  |  2 comments
Since I focus on digital product introductions at CES, Crystal Cable wasn't on my radar until John Atkinson suggested checking them out last year when bringing Graham Nash to the show. Boy am I glad I did! Not only did Graham love his visit there in 2016 (and JA subsequently reviewed their speakers), Jake ended his CES 2017 tour on a high note in the room with an encore performance that brought tears to more than one visitor's eye.
Jon Iverson  |  Jan 10, 2017  |  0 comments
Covering CES with a perpetual smile and fresh ears is usually a challenge. But sometimes, you can feel like the luckiest reporter alive when everything falls into place.

Yes, it'll sound like I'm gushing, but unless you meet him, it's hard to comprehend what a positive and gracious human being Jake Shimabukuro is. Everywhere we went he stuck his hand out and, with a smile, exhibited unending excitement and curiosity at what he was hearing. And watching him play, up close and in person, is amazing. But we're getting ahead of ourselves.

Jon Iverson  |  Jan 12, 2017  |  3 comments
What goes up, must go down. So we headed back to the stairs and then down five flights to the 30th floor where John DeVore was set up. We were now in the smallest size room you'll find at the Venetian, but still big enough to fit us all in, like a cozy, plush living room. John keeps his space dark and relaxing too, the emphasis clearly on our sense of hearing. So no flash, and I've tried to keep the brightness in the photos realistic to reflect how this room felt.
Jon Iverson  |  Jan 11, 2017  |  0 comments
Now this should be interesting. We walk down the hall to the Nagra suite (in a similarly sized room to dCS) and there are the same speakers we just heard at dCS, but this time with completely different electronics. I set up my laptop, with Roon in "Exclusive Mode" as always, and test that we have sound.

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