CES 2009

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Jason Victor Serinus  |  Jan 12, 2009  |  3 comments
Siltech Importer Ethan Wood, who claims to be the biggest man in the high-end industry, gave me low-down on the family affair known as Siltech and Crystal Cable. (Note: Crystal Cable is in the process of choosing a new importer for its cable and speaker line). Siltech was founded by Edwin Van der Kleig, while Crystal is property of his wife Gabi. Both companies use highly pure silver and 24K gold in the majority of their products.
Jon Iverson  |  Jan 08, 2009  |  0 comments
Last year PS Audio teased us with a prototype disc player called the memory link which never quite made it to production. Instead, the company evolved the idea further and created a new line of products branded PerfectWave.
John Atkinson  |  Jan 13, 2009  |  10 comments
When I went into the Magnepan room at T.H.E. Show, the speakers were hidden behind a curtain. Magnepan's Wendell Diller ushered me into the sweet spot and started playing some sounds on the all-Bryston front-end: BCD-1 CD player (which LKG raves about in our February 2009 issue), BP-26 preamp, and a pair of 7B-SST monoblocks.
Jon Iverson  |  Jan 08, 2009  |  2 comments
Sonneteer first popped up on our radar at the 2006 Home Entertainment Show with their Bardone TX wireless audio transmitter. Three years later they've produced some real eye and ear candy with the Morpheus "music centre" which functions as an integrated amp and control center for all manner of digital media.
Wes Phillips  |  Jan 08, 2009  |  0 comments
Formally, the limited-edition GAT components from Conrad-Johnson are the Great Anniversary Triodes, but longtime C-J enthusiasts will recognize the tribute to Carwell Gatling, who used to run the service/customer satisfaction department at CJ—actually, I've always thought that Gat's real job was to be the soul of CJ.
Jason Victor Serinus  |  Jan 12, 2009  |  0 comments
Jim Aud of Purist Audio Design has released several new products. The diminutive Digital Isolation Adapter ($300) plugs into the S/PDIF output of a CD transport or music server with then the RCA digital cable that connects the transport and DAC plugged into it. The Adapter is claimed to electrically isolate the transport to the DAC, reduce jitter via control of the 75 ohm impedances, and reduce EMI/RF noise.
Jon Iverson  |  Jan 08, 2009  |  5 comments
The show is about to begin, and John Atkinson is getting the annual Product of the Year awards ready for handout.
Wes Phillips  |  Jan 12, 2009  |  3 comments
Tenor's promised Tenor Pre preamplifier ($40,000) is a hybrid, using tubes for the input stage and MOSFETs for the output. It should be available in two months. As a whole, the Tenor system (fleshed out with Hansen Emperors and Kubala-Sosna cables) was outstanding.
Wes Phillips  |  Jan 12, 2009  |  1 comments
Chord demonstrated the absolutely stunning Indigo Advanced D to A ($15,000). Yes, that's an iPod dock on top, but the Indigo isn't just another iPod dock. For one thing, you can only dock Chord modified iPods directly into it, allowing Chord to access the digital data in the iPod. The Indigo also has a A2DP radio "dongle" that can seamlessly stream digital radio ir music from anywhere in the room. Another dongle is supplied to stream analog output from unmodified iPods.
Wes Phillips  |  Jan 13, 2009  |  3 comments
While I was cruising NAD's booth, I noticed the M2 Direct Digital amplifier—obviously part of NAD's Masters Series. I asked one Nad rep to tell me about it. "Oh, we didn't bring it—it's not going to be released until spring."
John Atkinson  |  Jan 13, 2009  |  1 comments
Whenever I think of Totem Acoustics, I tend to associate the Montreal-based company with relatively affordable high-performance speakers like the Model One and The Forest. But designer and founder Vince Bruzzese has attempted to reach for the stars with his floorstanding WInd design ($12,500/pair, according to the cryptic spider scratchings in my reporter's notebook) . Acquisition of a new CNC wood-working machine has allowed him to update the Wind, and at CES, Totem was showing the latest version, finished in high-gloss automotive paints. (The speaker shown with Vince is finished in "De Tomasso Blue.")
Jason Victor Serinus  |  Jan 14, 2009  |  1 comments
Frank Cheng's Acoustic System International now produces LiveLine cabling. Combining acoustic resonator technology with super thin, solid-core wire, the cabling is composed of different segments that contain wires made from different metals that are ultimately soldered together at 850 degrees. The RCA interconnect costs $995 (length not stipulated in the press materials), XLR interconnect $1450, 1.8m power cable $995, and 2.4m speaker cable $1750. One online publication gave each of these cables a product of the year award.
John Atkinson  |  Jan 13, 2009  |  0 comments
The diminutive Harbeth HL-P3 has been one of this magazine's consistently recommended speakers since we first reviewed it in 1993. While some details have been improved over the years (and been reported on in the magazine), its design has remained consistent over the years: a diminutive two-way stand-mount intended to take the place of the classic BBC-designed LS3/5a for location monitoring and for audiophiles with small rooms who value midrange purity and superbly stable, well-defined stereo imaging over bass extension and ultimate loudness capability.
Jon Iverson  |  Jan 10, 2009  |  1 comments
Also revealed were two disc player upgrades from Ayre. Both the C-5xe universal player and the CX-7 CD player now have MP (Minimum Phase) appended to their names reflecting a new filtering option that the company says has no pre-echo and only one cycle of post-ringing. On the back of the players is a switch to select between the previous generation "apodizing" filter and the new MP filter.
Wes Phillips  |  Jan 08, 2009  |  0 comments
Another massive integrated that impressed me was Plinius' 200Wpc Hiato ($8900), which can also include a modular phono section ($1275). It accepts RCA and XLR inputs. Weighing in at a whopping 60 lbs, the Hiato sounded sauve and unflappable, living up to its name, which means "coming together in harmony" in Maori.