CES 2009

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Jon Iverson  |  Jan 14, 2009  |  First Published: Jul 13, 2009  |  1 comments
I'm still amazed at the sheer number of new high-end CD players announced at this show. Either someone didn't get the memo about the disc format's impending demise, or else we've entered that phase, as with turntables, that playback advances will continue to win new customers with big collections.
Wes Phillips  |  Jan 14, 2009  |  0 comments
Ron Sutherland had a new battery powered phono section, the Hubble ($3800). The batteries come in a special battery compartment, so that there is only a single point of contact at each pole. He reckons the batteries are good for 800 hours of use and he has incorporated at clock in the unit so you can keep track. Each time you fire it up, program in you anticipated listening session and it will count it down and turn off the power at the assigned time—the same LEDs that serve as the timer also indicate battery strength as well.
Wes Phillips  |  Jan 14, 2009  |  4 comments
Sutherland also had a nifty little record weight/strobe timer, the $900 Timeline. Yikes!
Wes Phillips  |  Jan 14, 2009  |  0 comments
I was not previously aware of Vexo, a Milan-based manufacturer of tube amps, but I was very impressed by the 15Wpc VXSE-KT88/C ($3900). I asked Koetsu USA's Hiram Toro if that price meant the amps were designed in Milan but built in Asia. "Oh no," he said. "Vexo is designed and built in Italy and it is stuffed with European components.
Wes Phillips  |  Jan 14, 2009  |  0 comments
Scaena is a modular speaker design that combines multiple small midrange drivers, each mounted in a pod affixed to a rigid stand, with subwoofers placed elsewhere.The speakers come with digital crossover and high-current amplification for the subs. The speakers come as 24, 30, or 36 pod units and you can add as many subs as you require.
Wes Phillips  |  Jan 14, 2009  |  2 comments
While I was basking in the sound of Richard Vandersteen's stunning new Model 7s ($45,000/pair), I asked about the tube amps he was using. "Those are Jim White's Atlases—and I think they're damn good." Richard never minces words, so a "damn good" from him is almost as high praise as a "doesn't suck too bad" from JA.
Wes Phillips  |  Jan 14, 2009  |  1 comments
Rives Audio's Richard Bird introduced me to Navison, a brand I was aware of but not familiar with. Navison products are aesthetic knock outs—gorgeous wood (or black lacquer), etched gold faceplates (or chrome), and deep black transformer pots. They are audio confections.
Wes Phillips  |  Jan 14, 2009  |  0 comments
Over at the Boing Boing blog, it is customary to run a "unicorn chaser," an overly cute picture of a unicorn after posting a post that makes you go "eeeew." German Physiks Unicorn mk II ($21,500/pair) were sort of like that, only for show sound. Ahh, that's better.
John Atkinson  |  Jan 14, 2009  |  0 comments
Featured in Magico's second room in the Venetian was the new V2 ($18,000/pair), a smaller sibling to the V3 that I reviewed last May. It combines the same ring-radiator tweeter as the V3 with two 7" Nano-Tec drivers, the latter arranged so that the lower woofer rolls off at a lower frequency than the upper one to give much of the sonic benefits of a two-way design.
John Atkinson  |  Jan 14, 2009  |  2 comments
Magico had two rooms at the Venetian, the first of which featured the Californian company's new 4-way M5 ($89.000/pair). Weighing in at 360 lbs, the M5 features a ring-radiator tweeter built into the baffle, two 6" Nano-Tec-coned midrange units, and two 9" Nano-Tec woofers, these featuring 5" voice-coils. The sealed enclosure—no ports in Alon Wolf's designs—is constructed, like other Magico speakers, from multiple layers of Baltic Birch plywood. The convex front baffle is machined from a 200lb slab of aircraft-grade aluminum.
John Atkinson  |  Jan 14, 2009  |  5 comments
One of the most impressive speakers I have auditioned in the past few years was the three-way Aerial 20T, which was reviewed by Michael Fremer in April 2004. I spoke to Aerial's Michael Kelly a while back about getting a pair for a Follow-Up review, but he declined, saying that he was working on an improved version.
John Atkinson  |  Jan 14, 2009  |  2 comments
"Now that can't work," I thought, as I went into the Crystal Cable room and saw the Dutch company's new Arabesque loudspeaker (45,000 Euros/pair, equivalent to around $60,000). A glass enclosure? But as I listened to a variety of recordings that I thought would expose cabinet problems, such as female vocals and solo cello, I didn't hear any flaws that I could lay at the feet of the enclosure.
Wes Phillips  |  Jan 14, 2009  |  2 comments
I walked into Balanced Audio Technology's room and almost couldn't leave. Geoff Poor was driving a pair of WATT/Puppy 8s wth an all BAT system consisting of a VK-D5SE/Superpack CD player ($9500), VK-32SE preamplifier ($8000), and the new 55Wpc VK-55SE amplifier ($5995).
Wes Phillips  |  Jan 14, 2009  |  1 comments
George Kaye had his 120Wpc Moscode 402Au Stereo power amplifier ($6495) on display. Like the 401HR before it, the 402AU accepts a variety of tubes in its front end. The 402 adds low negative feedback, optically coupled floating bias circuit, and dual mono power supplies.
Wes Phillips  |  Jan 14, 2009  |  6 comments
I never fail to check out Jonathan Tinn's Blue Light Audio systems. He's a past master of system set-up, so his rooms always sound special. This year's was no exception.

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