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I see her from across the pool. She's tall and beautiful and dressed all in white. She reminds me of someone else. She sees me looking at her. I ignore the temptation; change directions; walk away from her; go to another tall white sign; read another list of names.

After my first full day of weaving my way around the Consumer Electronics Show, I'm happy to be back in my hotel room, ready to open the laptop and type. I've got a tote bag (everyone has a tote bag) gorged fat with press releases, CDs, magazines, directories, scribbled notes, a fortune cookie. . .. What's going on here? Am I really the newest writer for Stereophile? And what's the deal with this fortune cookie?

The Consumer Electronics Association announced last week its finalists for the 2005 "Demmy Awards," a collection of audio demonstration music that the group puts together for retailers and manufacturers. The panel of judges for the awards include Stereophile's own John Atkinson.

The 2006 edition of the Stereophile Buyer's Guide is out now. Listing the specifications of more than 5000 audio components within its 212 large-format pages, the Buyer's Guide is exclusively concerned with products for music reproduction, as opposed to the bangs, bonks, and battle noises typical of movie soundtracks.

The 2011 Rocky Mountain Audio Fest, which runs October 14–16 at the Denver Marriott Tech Center, promises more exhibits than ever before. With 480 exhibitors spread over 176 hotel rooms and three vendor areas, and advance attendance figures indicating at least 3500 attendees, the show continues to attract even more of the industry and public despite the economic slowdown. While the proportion of East and West Coast attendees remains stable, you'll see more international attendees, including folks from Thailand, India, Japan, Australia, Argentina, Singapore, Brazil, Canada, Finland, New Zealand, Mexico, and the UK.

"The big news is that we've scheduled a special exhibit at the Hyatt down the block," show organizer Marjorie Baumert told Stereophile. "We've expanded because Chad Kassem of Acoustic Sounds and Analogue Productions has put together a preview presentation of the new 5.1 surround sound SACD of Pink Floyd's Wish You Were Here, running all three days, and played through the same Acoustic Transducer Company (ATC) loudspeakers that were used to mix the project.

It's a sobering thought: it was the computer manufacturers and software developers, not the consumer electronics industry, who enabled the biggest audio format since the CD to become popular. The format, which hasn't done much to impress audiophiles, but has greatly enhanced the portability of music, is MP3 and CE manufacturers are only now trying to catch up with products that take advantage of its widespread use.

2L, the Norwegian label that made audiophile history in 2006 when one their early high-resolution SACDs, Immortal NYSTEDT, received Grammy Award nominations for "Best Surround Sound Album" and "Best Choral Performance," has taken a big step back to the future. After releasing a number of recordings packages that feature both hybrid SACD and hi-resolution Blu-ray discs, as well as making their DXD (352.8kHz/24-bit) recordings available for download, 2L has just ventured into the black hole known as vinyl.