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Reference Recordings: New Website, Downloads, Recordings

For the first time in a decade, Grammy Award-winning audiophile label Reference Recordings (RR) has updated its website. Filled with new features, including new blog posts and an "Audiophile Corner," the website offers physical media and hi-rez downloads of a host of Reference Recordings made by legendary, Grammy-feted recording engineer/digital pioneer Keith O. Johnson, along with Sean Royce Martin, and other recordings on the RR Fresh! label recorded by the SoundMirror team.

Rega Retires the Planar 2

Let us pause for a moment to reflect on the passing of one of hi-fi’s most venerable components. For 30 years, Rega’s Planar 2—recently, simply known as the P2—has provided countless hi-fi enthusiasts with their first taste of the potential that the vinyl disc has to offer. Now Rega has decided to stop making it.

Remembering Kurt Sanderling

Kurt Sanderling died on September 17 in Berlin, just two days shy of his 99th birthday—of "old age," according to his eldest son Stefan. Sanderling was the last of a generation of conductors displaced by Hitler—an exodus that included Otto Klemperer, Josef Krips, Sir George Solti, Erich Leinsdorf, Bruno Walter, who all went West. (Never mind that Klemperer had converted to Catholicism and that Krips was half-Jewish.) Sanderling fled East, to the Soviet Union.

Remembering Record Producer James Mallinson

James Mallinson confers with Sir Georg Solti during playbacks for Mahler's Symphony No.3 in Chicago's Orchestra Hall in November 1982, from the CSO Archives

Legendary British record producer James Mallinson, whose close to five decades of work with Decca/London, Telarc, and the labels of the major orchestras in London, Chicago and St. Petersburg, died unexpectedly on Friday night, August 24. He leaves behind, in addition to his beloved wife and son, an estimable recorded legacy that earned him no less than 16 Grammy Awards and 49 Grammy nominations.

ReQuest Unveils Home Stereo MP3 Unit at MP3 Summit99

The MP3 audio format has been rapidly gaining a solid reputation in the last several months. Portable products such as Diamond">http://www.diamondmm.com/">Diamond Multimedia's Rio have hit the market, and websites (typified by MP3.com) have gained financial success. (See related">http://www.stereophile.com/news/10358/">related story.) But one area that has so far lagged is MP3-based playback and recording equipment for using the files at home without moving a computer next to the stereo.

Requiem For a Record Store

On Friday, January 20, five different friends forwarded Chris Morris' The Hollywood Reporter column on the closing of LA's Westwood Boulevard Rhino Records store. Established in 1973, the record store closed its doors on January 19 (although it staged a parking lot sale on January 21 and 22). Rhino owner Richard Foos blamed the store's demise on a number of factors, including pricing competition from national chains, the lack of demand for "a physical product," and "too many other things to do and too many ways to get your music without paying $18 for a CD."

Resistance is Futile

As any major college dude will tell you, the file-sharing genie can never be put back into the digital audio bottle. But that hasn't stopped the music business from pursuing its scorched-market policy while simultaneously applying various use-restriction technologies to every digital audio format in sight.

Resolution AV Debuts Fyne Audio in Red Hook, Brooklyn, NYC

On Thursday January 30th, the frigid landscape of Red Hook, Brooklyn, was the site of several audio-focused debuts. Adam Wexler's Resolution AV, a purveyor of high-end audio, celebrated its grand reopening, showcasing new products from Fyne Audio. Fyne Audio CEO Max Maud and Harmonia Distribution Vice President Jesse Luna were on hand to introduce the new products and answer questions.

Restricting CDs, Version 5

The digital audio genie was released two decades ago, before the music industry imagined any need to restrict how music files on a compact disc might be used. The last few years, however, have seen myriad attempts to redesign the digital audio bottle, and then shove the genie back in—with limited success.

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