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The audio business has been claiming its share of victims lately, with few companies able to reanimate once economic problems set in. Working hard to break this cycle, Carver">http://www.carver.com">Carver Corp. became one of the first manufacturers to switch from a dealer-based operation to both dealers and internet sales.

The largest advertising and promotional campaign for an audio product in Sony Electronics' (and possibly anyone's) history debuted during NBC's Thursday-night prime-time television lineup last week. The campaign, titled "Make it with MD," featured various celebrities as they moved through a Hollywood party sporting a small MiniDisc personal stereo unit playing their own personalized music mixes. Sony also plans major cable, billboard, print ad, and promotional tie-ins.

With the proliferation of audio and video formats based on the 5.25" disc (CD, DVD-Audio, SACD, CD-R, CD-V, DVD, etc), buying a universal player that can decode anything thrown at it is many a consumer's Holy Grail. But to date, the vast majority of manufacturers (Pioneer being a notable exception) have been taking sides, choosing to exclude either SACD or DVD-Audio playback from their machines.

We're still waiting to see even one official US release of DVD-Audio software, but reports are trickling in that the recording industry is nonetheless planning for the multichannel high-resolution audio landscape. The latest bit of news comes from mastering facility Future">http://www.futurediscsystems.com">Future Disc Systems, which announced last week that it is now mastering DVD-Audio projects, and will soon be ready for high-resolution surround sound.

The international music industry is once again singing the blues, and CD burning is the refrain.

Igor Kipnis, virtuosic harpsichordist, prolific critic, and esteemed teacher died January 23. He was 71. According to his managing agency, Marilyn Gilbert Artists Management of Toronto, he had been suffering from cancer.

Record label attempts at restricting the potential uses of their CDs have hit another bump in the antipiracy road. Music label BMG had announced earlier this year that it would try to find ways to restrict its CDs, in an effort to stem piracy and the trading of MP3 files. But those plans appear to have backfired, so far.

The buzz at the 2019 Audio Engineering Society (AES) convention in New York was immersive audio, as it has been for the last several years. I witnessed developments that may have a big impact on the future of multichannel audio.

In September 2019, I made an afternoon visit to National Sawdust, a vibrant, innovative performance space in Williamsburg, Brooklyn, to attend a demonstration of the new Constellation and Spacemap systems installed there by Meyer Sound. According to Meyer Sound designer Steve Ellison, the two systems permit control of the space's acoustics (Constellation) and empower performers and sound designers to construct a soundscape (Spacemap) in which voices, instruments, and other sounds can be located virtually anywhere within as well as beyond the confines of the performance space.

First, the sobering reality: Among the world's billions of music lovers, probably a million or fewer are true audiophiles, for whom sound quality is a primary concern. The uncritical majority will embrace any audio technology that offers economy and convenience. Case in point: the popularity of the MP3 digital format, widely derided by audiophiles for its compressed dynamics and lack of detail, but adopted readily by the general public because of its ease of use.