Something's definitely happening at the house of Yoshio Matsudaira. The legendary gentleman, whom I've never met or corresponded with, manufactures cartridges for his own brand, My Sonic Lab, as well as for others, including Air Tight. Over the past few weeks, more than a few readers have asked me to review or at least listen to the latest My Sonic Lab cartridge, the Platinum Signature.
For a phono cartridge to generate current and voltage, something must move: a coil of wire (as in a moving-coil cartridge), or a magnet (as in a moving-magnet type), or a tiny piece of iron (a moving-iron type). In those rare cartridges that depart from the electricity-generating principle of the ones described above, it can be a displacement-measuring device in which a moving shutter modulates a light source to vary a supplied voltage (as in an optical cartridge), or one in which voltage is modulated when a tiny chip of silicon crystal is squeezed by a moving element, which varies the chip's electrical resistance (as in a strain-gauge cartridge). But regardless of what it is that moves in a cartridge, something has to.
As I was doing a final edit on this column, I received very sad news from Leif Johannsen, the chief officer of acoustics and technology for cartridge manufacturer Ortofon A/S: Kim Petersen, described by Johannsen as his "right hand and new cartridge design and listening partner" and the company's "top cartridge expert," passed away suddenly at age 52.
Haniwa's Dr. Tetsuo Kubo is an interesting fellow. If you go to shows, domestic or overseas, you've possibly encountered him in his room a space known for being strewn, shrine-like, with LPs that once belonged to The Absolute Sound's founder, the late Harry Pearson: Dr. Kubo was a fan.
AVM Audio, which has been in business since 1986 (footnote 1), chose last year to enter the turntable market with two models that reflect the company's brushed-aluminum/blue LED visual aesthetics.
It doesn't take a forensic turntable scientist to figure out who manufactures both of those turntable models. Clearly, Pro-Ject does (footnote 2)although some audiophiles might recognize only a few key parts. Other elements, especially the two different tonearm models, may appear unique to AVM, having been built to their specs.
Lately it seems that the more Rega charges for one of its turntables, the less you getand from Rega's performance perspective that's a good thing.
While some turntable designs pile on the mass, hoping to tame resonances and better isolate the record from the outside world, Rega has long advocated ultralow-mass designs. What's up with that?
We're 30 years into a cartridge design revolution, particularly at the top end of the market, where manufacturers charge upward of $10,000 for their best efforts: prices that well-off consumers have amply proved they are willing to pay. There doesn't seem to be an innovation end in sight.
Lately, current amplificationbased moving-coil phono preamplifiers have gotten a great deal of well-deserved press. For years, Haniwa's Dr. Kubo has been designing and selling superlow-internal-impedance cartridges because such cartridges work best with such devices. He has also been designing and selling his own current-amplification phono preamplifier.
How goes your quarantining? Honestly, my life hasn't changed much here. I'm locked in the basement as usual, happy to have a good audio system and overwhelmed by my musical choices. Other than minimizing shopping expeditions and wearing a mask, the biggest change in my life is a spike in requests from readers for upgrade advice. I've never been so busy answering reader emails.
I feel compelled to repeat here an eerie occurrence I related a while back on AnalogPlanet. I reviewed, in the February 1999 Analog Corner column, the Cartridge Man's Digital Stylus Force Gauge, which back then sold for $299.
I still have it, but a decade ago, the battery stopped taking a charge. I put it aside, planning to replace the battery someday.
I'm an audiophile and live in North Americaseems like a perfect fit for the Facebook group Audiophiles - North America, right? Wrong!
On my first visit, I noticed that a group member had asked for speaker cable suggestions. Another member posted a picture of a 100' spool of 16-gauge lamp cord costing $14, accompanied by the suggestion "This is all you need." The implication: That's all anyone needs, because cables are "snake oil.
"I got some Audio-Technica ATLP120X turntables in the other day, which had been back ordered for maybe 6 or 7 months, so I called to see if they had more. I was told there were 17,700 of that model on back order," a dealer I know told me recently in an email.
Almost exactly a year ago to the day that I'm writing thisMarch 11, 2020the WHO officially declared COVID-19 to be a pandemic. If you weren't paying attention, maybe you didn't see it coming (incredibly, some still deny the pandemic's existence), but I had already canceled a March 14, 2020, flight to Atlanta to speak to the local audiophile society. I'd made the plans for that visit at the Florida Audio Expo a few weeks earlier. Remember hi-fi shows?
I don't like being pigeonholed as a reviewer of exclusively expensive audio componentsbecause I'm not, as anyone who regularly peruses Analog Planet knows. So, to ease the pain of reviewing the half-million-dollar Air Force Zero turntableyou'll find that review elsehere in this issueI figured I'd cover some more reasonably priced analog gear here in Analog Corner.