Phono Cartridge Reviews

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Gramophone DreamsPhono Cartridge Reviews
Gramophone Dreams #29: Etsuro Urushi & Hana phono cartridges
Herb Reichert  |  Jul 30, 2019  |  3 comments
We were playing some old, cherished black discs when my partner, bb (the 6'-tall Aries artist), declared, "With records you hear touch, and you are not alone." Long pause. "Just holding the cover brings back memories—that's their humanity."
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Art Dudley ListeningPhono Cartridge ReviewsTube Power Amp Reviews
Listening #200: Tzar DST1 & Shindo Montille CV 391
Art Dudley  |  Jul 25, 2019  |  5 comments
Products come and go. Some impress more than others, and in our little world, the ones that impress the most wind up in Class A of our semiannual "Recommended Components" feature.

After a product makes it to that list, if Stereophile's reviewers go more than a few years without hearing it again—in a home system or a dealer's showroom or even at an audio show—that product falls off the list, usually quietly. Thus, if a reviewer is maximally knocked out by a piece of playback gear, yet the fates allow neither a purchase nor an extended loan, he or she or someone else on staff must endeavor to borrow it again so it can stay recommended.

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Art Dudley ListeningPhono Cartridge ReviewsPhono Preamp Reviews
Listening #195: Ortofon SPU Century & Grandinote Celio
Art Dudley  |  Feb 19, 2019  |  9 comments
Easy pickup: Art’s Dog, Chatter, cozies up to Leif Johannsen of Ortofon A/S and Dee Hustinova of Ortofon USA. (Photo: Art Dudley)

According to the 2018 edition of the UN's World Happiness Report, Denmark is the third-happiest nation on Earth, trailing only its neighbors Finland and Norway.

I heard that yesterday afternoon, on NPR. The reporter even spelled out the word used by Danes to describe their feelings of happiness: hygge. Apparently, at present, Denmark is positively rotten with hygge.

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Gramophone DreamsPhono Cartridge ReviewsPhono Preamp ReviewsTurntable Reviews
Gramophone Dreams #25: Dr. Feickert, Jelco, Koetsu, My Sonic Lab
Herb Reichert  |  Dec 13, 2018  |  5 comments
I needed one black tiddledywink (not provided) to use Dr. Feickert Analogue's three-speed, two-motor, two-armboard Blackbird turntable. The tiddledywink was for covering the Blackbird's painfully bright power-on LED so that it didn't blind me when I cued up a record. The first night, in my dark listening room, this tiny indicator sprayed the wall behind and the ceiling above with more light than a bright-emitting 845 vacuum tube.
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Art Dudley ListeningPhono Cartridge Reviews
Listening #192: Koetsu, Ortofon, EMT
Art Dudley  |  Dec 06, 2018  |  32 comments
Although my house is now home to a borrowed pair of DeVore Fidelity Orangutan O/93 loudspeakers—a loan I gratefully accepted early this year, when my 1966 Altec Flamencos proved a bit too large for my new listening room—it's a matter of pride that I own almost everything else in my playback system, cables included. So it's with no small discomfort that I acknowledge having nearly $30,000 worth of borrowed phono cartridges scattered around my living and dining rooms. (The former is where I listen to them, and the latter—the sunniest room in the house—is where I install them.)
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Gramophone DreamsPhono Cartridge ReviewsPhono Preamp Reviews
Gramophone Dreams #24: Hana & Musical Surroundings
Herb Reichert  |  Oct 04, 2018  |  2 comments
The days were long, the strawberries ripe, but it wasn't quite summer. It was, however, a perfect night for Otis Redding and Carla Thomas singing the Lowell Fulson–Jimmy McCracklin classic "Tramp," on a 7" 45rpm single (Stax 45-216).

Otis: What you call me?

Carla: Tramp! You don't wear continental clothes, or Stetson hats.

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Phono Cartridge Reviews
Ortofon Xpression pickup head
Jim Austin  |  Aug 21, 2018  |  45 comments
I listen to music in all formats, but my most ecstatic home listening experiences have always involved vinyl. It's probably something to do with the fact that, like most people my age and older, I grew up listening to LPs—in my case, played on a Technics SL-210 turntable, and through an Aiwa receiver with beautiful green tuner lights and a pair of early Polk Audio studio monitors. I'm drawn, surely, to an improved version of the sound I heard back then. It's a powerful sentimental connection.
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Art Dudley ListeningPhono Cartridge ReviewsStand and Rack Reviews
Listening #186: Miyajima Saboten L phono cartridge
Art Dudley  |  May 22, 2018  |  4 comments
In the early 1960s, young people who were anxious see the Beatles on The Ed Sullivan Show had to first sit through a seeming eternity of bad comedians, bad puppet shows, and acrobats spinning dinner plates to the tune of Khachaturian's Sabre Dance. So it is here: Before I can get to the Miyajima Saboten L phono cartridge, I have to report on something I left out of my April 2018 column, which was devoted to Zu Audio's modification of the classic Denon DL-103 cartridge. And since this is information I've been holding on to for almost a year, I suppose I also left it out of my August 2017 column, which was devoted to the MusiKraft Audio's own modification of the Denon DL-103.
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Art Dudley ListeningPhono Cartridge Reviews
Listening #184: Zu DL-103 Mk.II phono cartridge
Art Dudley  |  Mar 29, 2018  |  6 comments
On at least one occasion that I can recall—in 1996, in the early days of Listener magazine—a US publicist for the Japanese manufacturing company Denon told me that they planned to discontinue their DL-103 moving-coil phono cartridge, an enduringly popular model that had been in production since 1962 (footnote 1). At the time, neither the DL-103 nor any of their other cartridge models appeared on Denon's US price lists, and neither English-language promotional materials nor even a basic spec sheet was available to American consumers or press.
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Art Dudley ListeningPhono Cartridge ReviewsPhono Preamp Reviews
Listening #176: MusiKraft Cartridge Bodies & EMIA Phono Transformer
Art Dudley  |  Jul 27, 2017  |  3 comments
How can you tell a classic product from the hi-fi hoi polloi? One sure sign is when third-party developers spring up around the thing, offering parts and service intended to maximize its performance—or just to keep it on the road. Thus regarded, a few true classics emerge: Quad's ESL and ESL-63 loudspeakers. Altec's 802 and 806 compression drivers. The Linn LP12 and Garrard 301/401 turntables. The Rega RB-300 tonearm and its direct descendants.
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Audacious AudioPhono Cartridge Reviews
Lyra Atlas SL and Etna SL phono cartridges
Michael Fremer  |  Jan 02, 2017  |  First Published: Jul 01, 2017  |  6 comments
My 0.56mV-output Lyra Atlas moving-coil cartridge ($11,995) has put in four years of heavy-duty use. But not long ago I began to hear some problems with sibilants from records that previously hadn't given me trouble in that department. Lyra's Jonathan Carr and Stig Bjorge suggested I bring my Atlas to the 2016 Consumer Electronics Show, held last January in Las Vegas, where they would exchange it for a new one.
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Art Dudley ListeningPhono Cartridge Reviews
Listening #168: Ortofon SPU #1S phono cartridge
Art Dudley  |  Nov 17, 2016  |  7 comments
I'm a progressive who enjoys the company of his conservative friends, a Catholic who's thankful for his atheist friends, and a carnivore who cherishes his vegetarian friends. I'm also a vintage-audio enthusiast who loves his audiophile friends who aren't so inclined—so I was doubly happy to see, in the September 2016 edition of Michael Fremer's "Analog Corner," a hearty endorsement of Ortofon's latest SPU: a 58-year-old phono-cartridge design that, like the coelacanth, continues to thrive despite expectations.

Mikey is a longtime friend who harbors no love for vintage phonography—yet after playing his first record with the new SPU #1E ($659), he wrote: "I immediately, and much to my surprise, got what the SPU cult is all about."

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Gramophone DreamsPhono Cartridge ReviewsTurntable Reviews
Gramophone Dreams #11
Herb Reichert  |  Jul 26, 2016  |  17 comments
Which record player has achieved international acclaim as a musical instrument in its own right?

Which turntable is revered for its near-indestructible build quality?

Which disc spinner has played more records—and made more people drink, drug, dance, and make out—than any other?

Which turntable has sold over three million units?

Hint: It is not made in the US, the UK, China, or Switzerland.

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Gramophone DreamsPhono Cartridge ReviewsTonearm ReviewsTurntable Reviews
Gramophone Dreams #9
Herb Reichert  |  Mar 29, 2016  |  12 comments
"Hail, Neophyte!"

That's what members of the Smoky Basement Secret Audio Society would exclaim in unison at the end of each ceremony admitting a new devotee. It was called the Smoky Basement Society not because everyone smoked (though they did), but because its members believed that whenever an audio designer finally got a design dialed in just right, he or she had metaphorically "let the smoke out." They exclaimed, "Hail, Neophyte!" because they believed that the most important aspect of being an audio engineer was to have a fully open "beginner's mind." In Zen practice, this is called Shoshin, or beginner's heart.

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Phono Cartridge ReviewsTurntable Reviews
Robert Deutsch Upgrades His Record Player
Robert Deutsch  |  Feb 09, 2016  |  5 comments
For some time now, I've been thinking that my record player was due for an upgrade. My Linn LP12 turntable and Ittok LVII tonearm are about 25 years old, and my AudioQuest AQ7000nsx cartridge is going on 15. During that time, my listening has become increasingly dominated by CDs, but I am not yet ready to give up on LPs. Updating my LP12—for which I have Linn's Lingo power supply but no other upgrades—would involve installing the Keel subchassis, for $3250—for which price I could get another maker's new, current-design turntable and still have the LP12 to sell. The Linn Ittok can't be upgraded, and its replacement, the Ekos SE, costs $4950—out of my range. AudioQuest no longer makes cartridges. Examining my AQ7000nsx's stylus under a microscope showed no visible wear, and there was no obvious audible problem that could be traced to the cartridge's suspension, but age must be having some sort of effect. Taking all these factors into account, I decided to replace my entire phono front end.
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