Phono Cartridge Reviews

Although my house is now home to a borrowed pair of DeVore Fidelity Orangutan O/93 loudspeakers—a loan I gratefully accepted early this year, when my 1966 Altec Flamencos proved a bit too large for my new listening room—it's a matter of pride that I own almost everything else in my playback system, cables included. So it's with no small discomfort that I acknowledge having nearly $30,000 worth of borrowed phono cartridges scattered around my living and dining rooms. (The former is where I listen to them, and the latter—the sunniest room in the house—is where I install them.)

I listen to music in all formats, but my most ecstatic home listening experiences have always involved vinyl. It's probably something to do with the fact that, like most people my age and older, I grew up listening to LPs—in my case, played on a Technics SL-210 turntable, and through an Aiwa receiver with beautiful green tuner lights and a pair of early Polk Audio studio monitors. I'm drawn, surely, to an improved version of the sound I heard back then. It's a powerful sentimental connection.

On at least one occasion that I can recall—in 1996, in the early days of Listener magazine—a US publicist for the Japanese manufacturing company Denon told me that they planned to discontinue their DL-103 moving-coil phono cartridge, an enduringly popular model that had been in production since 1962 (footnote 1). At the time, neither the DL-103 nor any of their other cartridge models appeared on Denon's US price lists, and neither English-language promotional materials nor even a basic spec sheet was available to American consumers or press.

My 0.56mV-output Lyra Atlas moving-coil cartridge ($11,995) has put in four years of heavy-duty use. But not long ago I began to hear some problems with sibilants from records that previously hadn't given me trouble in that department. Lyra's Jonathan Carr and Stig Bjorge suggested I bring my Atlas to the 2016 Consumer Electronics Show, held last January in Las Vegas, where they would exchange it for a new one.

Which record player has achieved international acclaim as a musical instrument in its own right?

Which turntable is revered for its near-indestructible build quality?

Which disc spinner has played more records—and made more people drink, drug, dance, and make out—than any other?

Which turntable has sold over three million units?

Hint: It is not made in the US, the UK, China, or Switzerland.

For some time now, I've been thinking that my record player was due for an upgrade. My Linn LP12 turntable and Ittok LVII tonearm are about 25 years old, and my AudioQuest AQ7000nsx cartridge is going on 15. During that time, my listening has become increasingly dominated by CDs, but I am not yet ready to give up on LPs. Updating my LP12—for which I have Linn's Lingo power supply but no other upgrades—would involve installing the Keel subchassis, for $3250—for which price I could get another maker's new, current-design turntable and still have the LP12 to sell. The Linn Ittok can't be upgraded, and its replacement, the Ekos SE, costs $4950—out of my range. AudioQuest no longer makes cartridges. Examining my AQ7000nsx's stylus under a microscope showed no visible wear, and there was no obvious audible problem that could be traced to the cartridge's suspension, but age must be having some sort of effect. Taking all these factors into account, I decided to replace my entire phono front end.