Headphone Reviews

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MrSpeakers Aeon closed-back headphones

I got an e-mail last summer from my colleague Tyll Hertsens, editor of our InnerFidelity website. "Recently reviewed and really liked the new MrSpeakers Æon," he wrote. "They're a little rough-sounding as sealed headphones tend to be, but the tonal balance is superb. I got three in for review to make sure they're consistent. After measurements I asked [MrSpeakers'] Dan Clark if I could forward them to you because I like them so much and thought you should hear them. . . . I really think you may enjoy them."

MrSpeakers Aeon Flow Open Planar Magnetic Headphones

This story originally appeared at InnerFidelity.com

I'll admit feeling the MrSpeakers Aeon Flow Closed look a bit alien to my eyes when first I saw it. Now that it's been on my desk for a few months I find it quite appealing. Not so much for it's looks—don't get me wrong, I quite like the look—but more because I've come to appreciate the comfort of them. No surprises when the Aeon Flow Open showed up...they were right at home on my head. Good thing too, they'll be spending a lot of time there.

MrSpeakers Introduces AEON Over-Ear Sealed Headphone

This story originally appeared at InnerFidelity.com

Yesssssss!

I've kvetched quite a bit about the need for some killer headphones in the $500-$1000 price range. Seems like headphone makers just jumped by that price category in an ever more intense race to the top...of your willingness to break your wallet. Looks like we're going to get some relief from MrSpeakers.

Music in the Round #45

I remember my first experience with headphones. In 1960, I bought a set of Trimm dual 'phones (less than $5) and rewired them for stereo. The experience was remarkable for several reasons. First, it brought the sounds into my head—I was thrilled with the impact. Second, stereo effects, especially with Enoch Light's ping-pong LPs (eg, Provocative Percussion, Command RS800SD), were striking. Third, I could play them really loud without bothering others. Of course, they had no bass, brittle treble, distorted at high levels, and their wire headband and Bakelite earpieces were uncomfortable. My fascination with this gimmick quickly faded.

Mytek HiFi Manhattan II D/A preamplifier-headphone amplifier

In equipment reports, I use the phrase forward momentum to refer to something a little deeper and more encompassing than what's meant by that well-worn Brit-fi expression pace, rhythm, and timing (PRaT). Pace refers to the speed at which a piece of music is being played, and the accurate reproduction of that speed requires audio sources with good dynamic pitch stability. (Digital folk always lord it over LP clingers for digital's superior pitch stability.)

Of Headphones to Come

Some 100 engineers and scientists from around the globe assembled for the Audio Engineering Society's 2016 International Conference on Headphone Technology, in Aalborg, Denmark.

I figured it was coming, but it wasn't until just after I'd returned from the Audio Engineering Society's 2016 International Conference on Headphone Technology—held last August in Aalborg, Denmark—and was writing up my report and summary on the event for InnerFidelity.com (footnote 1) that I knew for sure: Headphones are about to change . . . a lot.

Pass Labs HPA-1 headphone amplifier

When Pass Labs is mentioned, it's natural to think of its founder, iconic engineer Nelson Pass. But Nelson heads a team of engineers at the California company: Their XP-30 preamplifier, which I enthusiastically reviewed in April 2013, was designed by Wayne Colburn; and the subject of this review, the HPA-1 headphone amplifier, is the first Pass Labs product designed by Jam Somasundram, former director of engineering for Cary Audio. Somasundram joined Pass Labs in July 2013; he spent a year working on the HPA-1, which was shown at the 2015 Consumer Electronics Show, in Las Vegas, but not formally launched until the 2016 CES, at a hefty $3500.
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