Spin Doctor #33: Hi-Fi Shows, the 2025 Capitol Audiofest, and the Doshi Evolution Phono Preamplifier
I was heading back home to New York in my old Mercedes diesel on a Sunday evening, having just attended the annual Capital Audiofest near Washington, DC. Riding shotgun was fellow Stereophile scribbler Ken Micallef, and as we puttered along the straight, featureless lower half of the New Jersey Turnpike, we started to reminisce about our audio show experiences.
Spin Doctor #36: Musical Fidelity Nu-Vista Vinyl S phono preamp, Sumiko Oriole phono cartridge
I get nervous when I hear that an audio company I like is suddenly under new ownership. Are the new owners planning to carry forward the legacy of the company's founders, or will they try to move things in a different direction?
Spin Doctor 2: CH Precision P1 phono preamplifier
In 1928, Swiss engineer and inventor Jean-Léon Reutter created a clock that could run for years without human interaction or any type of external power source. The Atmos Clock required no AC power, batteries, solar panels, or hand-winding. It was able to wind itself by leveraging subtle changes in atmospheric pressure and temperature.
The design was so energy efficient that a single degree of temperature change provided enough power for two days of operation; it would take an incredible 60 million Atmos clocks to equal the power demands of a single 15W light bulb. 95 years later, the Atmos Clock is still being manufactured in Switzerland by Jaeger-LeCoultre, but like most high-precision, Swiss-made instruments, it isn't cheap. Prices start around $7500.
Sutherland Engineering 20/20 phono preamplifier
Why no batteries?
It seemed a simple and obvious question, but I couldn't get an answer out of Ron Sutherland. Why did his new 20/20 phono preamp use an AC power supply instead of batteries? I asked directly, I asked repeatedly, I tried framing the question in different ways, all to no avail. Did the AC supply make it sound better? Was it less expensive to build? Were potential customers turned off by having to replace batteries once every year or two?
Sutherland Engineering Duo phono preamplifier
"Saying that Sutherland Engineering builds a nice line of phono stages is like saying that the Porsche 911 Carrera is a nice line of sports cars." So began my review of Sutherland's PhonoBlock in the January 2012 issue. I went on to note that similar philosophies underpin both product lines, and to link the cost-no-object PhonoBlock ($10,000/pair) with the GT2 RS ($245,000), then the pinnacle of Porsche's 911 family. It's now 2017, and though Sutherland and Porsche have both gone through a complete development cycle and replaced their flagship models, the analogy still holds true.
Sutherland Engineering Little Loco phono preamplifier
Descriptions of the sounds of products from Sutherland Engineering nearly always include "refined." While that word is certainly justified, it would be more apt to use it as a verb: Ron Sutherland spends more time than any audio designer I've known studying and fine-tuning and refining every detail of his work. I have the impression he knows those products so well that when he decides to design a less expensive version of his newest and best models, he knows exactly what to do.
Sutherland Engineering Phono Block monoblock phono preamplifier
Saying that Sutherland Engineering builds a nice line of phono stages is like saying that the Porsche 911 Carrera is a nice line of sports car. The Sutherlands all share common design philosophies, features, and sonic attributesbut just as ramping up from Porsche's classic Carrera Coupe ($78,000) to the GT3 ($115,000) or the Turbo S Cabriolet ($172,000) increases the level of performance and distills the Porsche experience down to its essence, ascending the Sutherland line from the PH3D ($1000) to the 20/20 ($2200) to the Hubble ($3800) buys more of what Ron Sutherland is all about.
Sutherland PhD MC phono preamplifier
The $3000 moving-coil (MC) PhD, available from Chad Kassem's Acoustic Sounds operation, is a monumental achievement that, for me, sets new standards for the cleanness and transparency possible in a phono preamp—and I've had a lot of experience with phono preamps.
The Entry Level #15
Parasound introduced their affordable Z series in 1996, the year Lisa Marie Presley filed for divorce from Michael Jackson. I was 19 years old and could have used a good stereo in my dorm room, but I didn't then know anything about hi-fi. If you're reading this in your dorm room, you're way ahead of where I was at your age. If you're reading this in your mansion, you're way ahead of where I am now.
The Entry Level #17
The Milty Zerostat: Sold for prevention of disease. And other things.
Before dropping the needle onto Christine's copy of Sold for Prevention of Disease Only, I shot the record a few times with the Milty Zerostat 3 ($100), a blue, gun-shaped gadget that helps eliminate static. Squeezing the Zerostat's thin black trigger releases positive ions; relaxing the trigger produces negative ions. A complete squeeze cycle results in a neutral static conditionone perfectly in balance, neither too heavy nor too lightand my LPs play quietly. This step in my LP-playing routine grew out of necessity and has become a habit. The process is especially important in the cold winter months, when the air in my small apartment is dry, and debris stubbornly clings to my LPs and my cartridge's stylus.