Turntable Reviews

You may be moving to Montana. Acoustic Signature is not an overnight sensation, nor are its turntables driven by dental floss. If you're not a Frank Zappa fan, you probably have no idea what any of that means, so please Google it. I'll wait till you get back.

In a bizarre but happy turn of events, recent consumer trends have given even the most socially awkward audiophile something to talk about at cocktail parties and family gatherings at which normal people predominate: the PonoPlayer and vinyl. These are hot topics; each is among the best-sounding music sources available, and both offer hope for our hobby, if not for music lovers in general. But vinyl has the advantage of appealing to a much wider range of budgets. LPs can be had from anywhere to "We'll pay you to haul these away" to "Your loan officer is on line one." Likewise, vinyl playback hardware is available in virtually every price range, from a second-hand Dual 1229 ($50 and up) to the highly praised Continuum Audio Labs Caliburn ($200,000 and down).

Three decades ago, I had a boss who insisted I drive a Mercedes-Benz as a company car. Tough gig, you might be thinking, but there was solid reasoning behind this extravagance: He wanted the people representing his company to look successful, so it was three-pointed star cars for all, at a time when a Mercedes was more exclusive than it is today.

Palmer Audio's 2.5 turntable, with its laminated plinth of Baltic birch and metallic features, looks Scandinavian but is made in the UK. It shares a few conceptual similarities with the turntables made by Nottingham Analogue, another British brand. The review sample had the optional side panels of cherrywood veneer.

Lately it seems that the more Rega charges for one of its turntables, the less you get—and from Rega's performance perspective that's a good thing.

While some turntable designs pile on the mass, hoping to tame resonances and better isolate the record from the outside world, Rega has long advocated ultralow-mass designs. What's up with that?

Apart from the Beatles and Hendrix I heard in my audiophile father's basement, one of my earliest rock'n'roll memories involved a multipurpose record player at school. In third grade, six of us were moved as a separate group to a round table to watch a filmstrip in a darker part of a large, open-plan classroom. A clunky old record player in a self-contained carrying case with a half-dozen headphone jacks sat on the table.

As audio enters its second digital decade, it gives me great pleasure to proclaim a great audio truth: to groove is divine, to error-correct ain't so benign.