Stravinsky: Petrouchka, Circus Polka
Los Angeles Philharmonic, Zubin Mehta, cond.
London CS 6554 (LP/tape).
This is all the proof one could want that London's big, fat sound is more the result of their recording philosophy than of the halls they record in. One of the first London recordings ever made in the US, this has the now-familiar London sound all down the line: The big, fat low end, the richness, the superb balance, and the razor-sharp detail without zizz or zip. As usual, the result is not terribly real, but it certainly is exciting as well as being musically satisfying.
Paul Winter: Callings
The Paul Winter Consort: Paul Winter, soprano sax, E-flat contrabass sarrusophone, conch shell; Nancy Rumbel, oboe, English horn, C contrabass sarrusophone, double ocarina; Eugene Friesen, cello; Jim Scott, classical and 12-string guitars; Ted Moore, timpani, surdos, berimbau, caixixi, pao de chuva, ganza, gongs, cymbals, triangles, handbells, whistles; Paul Halley, pipe organ, harpsichord, piano.
Recorded with the 3M Digital System in the Cathedral of St. John the Divine, New York City. Paul Winter, prod., Dixon Van Winkle, Chris Brown, engs. Additional recording by Richard Blakin and Mickey Houlihan. CD mastered by Clete Baker.
Living Music Records LMR-1 (LP). DAA. Living Music Records LD0001 (10488 00012-6) (CD). DAD. TT: 49:42.
It is hard for me to be objective about a record such as this. My very being responds to it, not only to the music but to the ideas and feelings behind it. Fortunately for me, this happens to be an excellent recording, with some extraordinary low end on it, so I need not compromise either my critical faculties or my sentiments.
Anyone who thinks the ultra-chic New York progressive music scene lacks a sense of humor hasn't heard Laurie Anderson. Her last album, Mister Heartbreak, proved to be the most listenable and entertaining example of the genre on years. It also provided a sound quality that put most "audiophile" discs to shame.
Wynton Marsalis: Baroque Music for Trumpets Vivaldi: Concerto for 2 Trumpets, RV 537; Telemann: Concertos for 3 Trumpets, in B-flat and D; Pachelbel: Canon for 3 Trumpets (arr. Leppard); M. Haydn: Concerto for Trumpet; Biber: Sonata for 8 Trumpets & Orchestra
Wynton Marsalis, piccolo trumpets; Raymond Leppard, English Chamber Orchestra
CBS M 42478 (LP), MK 42478 (CD). Bud Graham & Steven Epstein, engs.; Steven Epstein, prod. DDD. TT: 47:18
There are very few musically satisfying compositions for solo trumpet. A great deal of the standard repertoire is Baroque, and that primarily of the Paradestuck (parade, or showoff piece) school. Of Wynton Marsalis's five Masterworks releases, at least three fall into this category, the present one most of all. There are gimmicks galore here, of composition, arrangement, and recordingWynton Marsalis, genius of all trades, overdubbing himself ad infinitum through digital wizardry. The fact is, given the music, such an approach is probably the most appropriate; certainly no one listens to the Biber Sonata for 8 Trumpets for profound spiritual insight, and none of this music was written to stretch the boundaries of anything but the trumpeter's chops. In the recording of such antiphonal works, the 18th century's version of "special effects" or "stereo spectaculars," it makes sense that the soloists seem as telepathically in tune with one another's playing as possible. So why not use the same single player?
The Phantom of the Opera: Original Canadian Cast
Jeffrey Huard, cond.; Andrew Lloyd Webber, music; Charles Hart, lyrics; Richard Stilgoe, additional lyrics
PolyGram 847 689-1 (LP), -2 (CD*). Martin Levan, David Caddick, prods.; Martin Levan, eng. DDA/DDD. TTs: 57:03, 69:45*
VIVALDI: The Four Seasons; Flute Concerto in D ("Il Gardellino"), RV 428; Harpsichord Concerto in A, RV 780 Igor Kipnis, Connecticut Early Music Festival Ensemble Chesky CD78 (CD only). David Chesky, Jeremy Kipnis, prods.; Jeremy Kipnis, eng. DDD. TT: 62:15
MEDESKI MARTIN & WOOD: Friday Afternoon in the Universe John Medeski, organs, piano, wurlitzer, clavinet; Billy Martin, drums, percussion; Chris Wood, acoustic bass, harmonica, wood flute Gramavision GCD 79503 (CD only). MMW, David Baker, Jim Payne, prods.; David Baker, eng.; Dr. Toby Mountain, mastering. DDD? TT: 57:06
TONY BENNETT/BILL EVANS: The Tony Bennett/Bill Evans Album Tony Bennett, vocals; Bill Evans, piano JVC JVCXR-0208-2 (CD). 1975/2001. Helen Keane, prod.; Don Cody, eng.; Akira Taguchi, XRCD2 prod., Alan Yoshida, XRCD2 mastering eng. AAD?. TT: 35:09 Performance ***** Sonics ****