I performed a full set of measurements on the McIntosh DS200 using my Audio Precision SYS2722 system then repeated some of the tests with the magazine's higher-resolution APx555 analyzer. The coaxial S/PDIF, optical TosLink, and AES3 inputs all accepted data sampled at rates up to 192kHz. Apple's AudioMIDI utility revealed that the USB port accepted 16- and 24-bit integer data sampled at all rates from 44.1kHz to 768kHz. The USB Prober app identified the DS200 as "MSA5500" from "McIntosh" and indicated that the USB port operated in the optimal isochronous…
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The SL-50C compact turntable.
Available in limited quantities, the SL-1210GME Master Edition turntable (bundled at T.H.E. Show with a Nagaoka MP-700 cartridge) includes a new twin-rotor, coreless direct-drive motor for stable rotation; a ΔΣ-Drive (…
T.H.E. Show was slow to complete the website for this show; locating the online press portal was a challenge. At the event itself, signage was subpar: Demo rooms were somewhat scattered, some…
Digital sources: Custom Intel/Win11 music server running JRiver Media Center v34, Roon 2 and DiracLive-ART, Merging Devices Hapi MkII DAC. QNAP TVS-873 NAS. Oppo Digital UDP-103 universal disc player.
Power amplifiers: Benchmark AHB2 (3).
Loudspeakers: KEF Blade 2 Meta with IsoAcoustics GAIA II feet (3). KEF LS60 (2); KEF KC92 (2) and SVS SB 2000 Pro subwoofers.
Cables: Digital: Mogami Gold AES TD DB25-XLR0 snake. Analog interconnects: Mogami Gold AES TD DB25-XLR snake, in-wall analog and digital wiring per AES72 via CAT6 and Thomann the sssnake…
Digital sources: dCS Bartók APEX streaming DAC, Oppo UDP-203 universal disc player.
Preamplifier: Benchmark LA4.
Power amplifier: Benchmark AHB2.
Integrated amplifier: McIntosh MA6500.
Loudspeakers: Bowers & Wilkins 808, Amphion One18.
Accessories: Butcherblock Acoustics equipment rack, various cables and connectors made by Belden, Canare, Mogami, Switchcraft, ITT-Cannon, Neutrik.—Tom Fine
I used my Audio Precision SYS2722 system to measure the HiFi Rose RA280. While the manufacturer describes the RA280 as a "class-AD" design, it appears to have a class-D output stage for its two channels. Because class-D amplifiers emit relatively high levels of ultrasonic noise that would drive my analyzer's input into slew-rate limiting—the RA280 emitted enough RF noise to interfere with reception on the portable FM radio I keep in my test lab—I inserted an Audio Precision AUX-0025 passive low-pass filter between the test load and the analyzer. This filter…
Description: Two-channel, "class-AD" integrated amplifier with phono stage. Inputs: 3 line-level RCA unbalanced, 1 line-level XLR balanced, 1 trigger. Outputs: Two pairs loudspeaker output terminals, subwoofer (RCA), trigger. Power output: 250Wpc into 4 or 8 ohms (21.15dB or 24.15dB). Frequency range: 20Hz–20kHz. Input impedance: 47k ohms unbalanced. Output impedance: 30 milliohms. Input sensitivity: 600mV for full output, RCA and XLR line inputs; 5mV phono input. Bandwidth: 20Hz–20kHz: ±0dB, 10Hz–66kHz: +0dB, –1dB. Damping factor, speaker output: >250. Tone…
Analog sources: Thorens TD 124 turntable with Korf TA-SF9R tonearm, HS-A02 ceramic headshell, Ortofon 2M Black LVB 250 MM cartridge, Kuzma CAR-30 MC cartridge with Grimm PW1 phono preamplifier.
Digital sources: Tascam CD-200 iL CD player, HoloAudio May DAC.
Integrated amplifiers: Riviera Labs Levante, Unison Research S6 Black Edition.
Loudspeakers: GoldenEar BRX, Voxativ Ampeggio 2024, Wharfedale Super Linton.
Cables: Interconnects: AudioQuest Pegasus and Firebird, Triode Wire Labs Spirit II (RCA), Spirit 75 S/PDIF (RCA/BNC). Speaker:…