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My friend Howie never got his hands on the Monitor Audio Studio 20s—I had them in and out too fast. I knew they were not for me—too pricey. Or for Hyperfy either—not enough bass, don't play loud enough.

If the Studio 20s sold for roughly the same price as the Celestion SL700SEs—$3299/pair, including mandatory, dedicated stands—I'd have no trouble recommending them. At $4499/pair in standard wood finishes (gorgeous), or $5399/pair in piano black, I think they're overpriced—even though these speakers do sport sexy…

Description: Two-way dynamic floorstanding loudspeaker. Frequency range: 30Hz–24kHz (no tolerance given). Driver complement: One 6.5" aluminum-alloy cone bass/midrange driver, one gold-anodized aluminum/magnesium dome tweeter. Crossover frequency: 3.2kHz. Sensitivity: 88.5dB/W/1m.
Dimensions: 7.8" W by 32" H by 10.2" D. Weight: 42lb each (shipping), 35.2lb each (net).
Standard finishes available: Bombay rosewood, walnut, California oak, black ash. Custom finishes available: ash, natural ash, mahogany, dark mahogany, crown walnut, crown yew, oak, natural…

I auditioned the Studio 20s in my dedicated listening room with the usual complement of associated components. Power amplifiers were (primarily) the VTL 225W Deluxe monoblocks or (briefly) the Jeff Rowland Design Group Model One, the preamp was an Audio Research LS2 line stage, and phono gain and RIAA equalization were provided by the extraordinary Vendetta Research phono stage.

The analog front end was the Well-Tempered Turntable with a modified arm (see "Follow-Up" next month) and AudioQuest 7000 cartridge. Digital sources were the Audio…

Starting with the Studio 20's impedance magnitude and phase (fig.1)—all the measurements were performed by John Atkinson, using DRA Labs' MLSSA system—we can see the double impedance peak in the bass, indicative of a reflex port tuning at 44Hz with the woofer tuning at about 70Hz. The minimum impedance is 5.5 ohms at 235Hz, and stays above 8 ohms beyond 800Hz. This moderate to high impedance, coupled with a benign phase angle (dotted line in fig.1), suggest the Studio 20s will present an easy load to an amplifier.

If the theme of Camp Cope's third album, Running with the Hurricane, is personal growth, its core is Georgia Maq's voice—specifically, a new way of using that voice, approaching it as an instrument, applying detailed skill to vocal production. Both her time of self-reflection during COVID lockdowns and the vocal cord surgeries she has needed led her to this new revelation. We all get to reap the benefits…

On paper, StandArt looks promising. Tigran Hamasyan has been an exceptional pianist his whole life. (He started at three and made his first record, World Passion, at 17, in 2005.) Most of his music has been dedicated to bringing the traditional music of his native Armenia, with its distinctive scales and modalities, into jazz. StandArt is his first album of…

The Tchaikovsky trio, cast in two large movements, frequently struggles to find an identity, or an aesthetic point. The Tr°o Arriaga's recording is the first I've actually liked. In the first movement, the players project the two themes with clear contours and firm direction; in the codetta, they delve more deeply into typical Tchaikovskian yearning, turning introspective as the recap winds down. Their…

A big hi-fi show is a great…

At the cottage window a little bird sang.
And the light of the window did flicker.
And look. The roof up it sprang and the cottage became a house bigger.
Look. Into a world the cottage grew and the vast and wide too and filled with song was the air and like new was the sun's flare.

Below this boldly printed poem, in a smaller, finer font, it said, "Thank you for choosing Genelec. With this poem by…

By driving a loudspeaker's voice-coil directly from the output of a dedicated power amplifier, a designer can avoid many of the problems that occur in passive speakers due to the impedance mismatches among the…