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GT Audioworks presented their Reference 3 Planar Ribbon Speakers ($49,000/pair), which debuted in January 2021.

Described thusly at the GT Audioworks website—“Full range planar driver, 72" x 10", Ribbon tweeter, 72" x1/2," [at] 4 ohms, 92dB, 40Hz--30kHz,” with an active, optional subwoofer (60Hz—15Hz)—these large planar speakers and subwoofer columns were driven by Pass Laboratories XA160.8 monoblocks ($27,300/pair). Preamplification duties were performed by the Pass Laboratories XP-32 preamp ($17,500). A VPI HW-40 Direct Drive turntable played vinyl into a Pass Laboratories…

When I walked into the Volti Audio/Border Patrol Audio/Triode Wire Labs’ room, Volti’s head honcho Greg Roberts said, “Ken, remove that mask.” I did as the man asked, as all present were vaccinated, and accepted a happy hour drink from Triode Wire Labs’ Pete Grzybowski. I saw Border Patrol’s Gary Dewes smile, and knew I was with friends.

I use and have favorably reviewed these mens’ products. But that doesn’t stop me from marveling when I hear the exceptional sound this trio perpetually brings to shows.

Here at the Capital Audiofest, the complete system consisted of an…

Treehaus Audiolab's Richard Pinto likes field coil speakers, tube-rectified power supplies, and 300B power tubes. All are present in products enjoying their debut at Capital Audiofest 2021.

Based in Southport, Connecticut, Treehaus Audiolab showed three new products: an open-baffle loudspeaker called the Phantom of Luxury ($24,000/pair), the Treehaus Audiolab preamplifier ($16,000), and the Treehaus Audiolab power amplifier ($16,000).

To play records, Pinto used a Micro Seiki BL-91 turntable with a Hana ML cart on a Fidelity Research FR-64S tonearm. The phono…

Nothing soothes the frayed nerves of this CAF reporter like an Audio Note UK system, which consistently provide some of the most human, sweet, natural sounding hi-fi equipment at shows year in and year out.

Hosted this year by local dealer Déjà Vu Audio and chief technician, Pierse Chaisson, Audio Note played CDs by Vivaldi and vinyl from Johnny Cash, leaving me feeling blissed out and satisfied,a meditative sonic peace injection.

Spinning vinyl was an Audio Note TT-3 turntable with the power supply upgrade ($9412.89), with an Audio Note Arm 3 ($2465.52) and the…

I walked into the unassuming Fern & Roby Audio/Modwright Instruments room and spied, sitting in a chair with Leica camera in hand, Twittering Machines’ editor/CEO, Michael Lavorgna. Michael and I go back to the days of Quartz glass, Coke in bottles, and 6Moons.com, from whence we both came. Michael smiled and directed me toward the Fern & Roby beer coasters, beige cork jobs each with an illustrated tube (and noted tube type).

When you drink too much [editor's note: or just enough], the tube glow will light your way.

The Fern & Roby Audio system boasted…

My first night here at the Hilton, loud music pumped from the room next to mine. At 11:45pm and it was still blasting, interrupting my much-needed beauty sleep. Several calls later, the volume from the adjacent Daedalus Audio room went down, and I was down for the count.

That experience didn’t dissuade me from walking into that room the following morning and enjoying some excellent sounds. Linear Tube Audio’s Nicholas Tolson was there, running a system consisting of the Daedalus Audio Muse Studio floorstanding loudspeakers ($11,850/pair, 95.5dB/W/m into 6 ohms), DiD SPK…

Campbell, California’s Jeff Wells released his Wells Audio Cipher Level II Tube DAC early last year, but the product debut was sidelined by the pandemic. Jeff chose the Capital Audiofest to premiere the Cipher ($13,000) alongside his Wells Audio Innamorata Level II stereo amplifiers ($15,000 each; two were in the system), Wells Audio Commander Level III Preamplifier ($18,000), Wells Audio Looking Glass II power conditioner ($2500), and Wells Audio Headtrip Headphone Amplifier ($7500).

An Innous Zenith Mk3 Music Server ($4695) was at one end of the rig and TAD Evolution One ($30,…

I walked into the large Jefferson room, where VPI President Mat Weisfeld was doing something to a turntable while speaking, microphone in hand. He placed Ed Graham’s Hot Stix on the VPI 40th Anniversary HW-40 turntable ($20,000). Insane dynamics ensued, as did a stadium sized soundstage.

In this system, a T+A PA3100 HV integrated amplifier drove VPI founder Harry Weisfeld’s pair of JBL Project Everest DD67000 horn-loaded speakers ($75,000/pair). (Also in the system: the T+A MP3100 Multisource SACD player.) The turntable was using VPI's 12" Fatboy tonearm ($4500). The phono…

To quote his bio created for CAF, “Master furniture maker John Semrad hand-builds each horn loudspeaker with a solid basswood core, poplar cross-ply, and American walnut face veneer. The process takes more 240 hours, and each completed horn weighs 240 pounds. With a Jean Michel Le Cleac'h profile for the horn flare and [full-range] resolution from Oleg Rullit’s Super Aero 8" field coil drivers, these units are offered at $36,000 per pair, including field coil supply.” Those drivers are said to be made of Korean Hanji paper.

Semrad’s beautiful, horn-loaded speakers were driven by…

When I walked into the large Twinbrook room, which was hosted by dealer United Home Audio and distributor Hi End by Oz, its Bulgarian-made Thrax Audio system, complete with reel-to-reel tape deck, was playing Michael Jackson’s “Beat It.” Once I calmed down and got a grip, I found Oz Curran’s Hi End by Oz room to be a delight.

Curran’s system included the following sources: the Vitus Audio SCD-025 Mk II CD/DAC (used as a transport; $26,400), Thrax Audio's Maximinus Mk III 32/384 DAC ($38,500), and the UHA Super Deck reel-to-reel ($89,998). The Thrax Audio Dionysos preamplifier ($…