Description: 3-way floorstanding speaker with two 8" coated paper-cone woofers, a 5.25" paper-cone midrange driver and a silk-dome tweeter with neodymium magnets, enclosed in an aluminum cabinet with two chambers, one with laminar-flow front port. Frequency range: 32Hz–35kHz. Sensitivity: 93dB/2.83V/m, half space. Nominal impedance: 8 ohms (minimum 3 ohms). Power handling: 150W RMS, 300W peak. Minimum recommended amplifier power: 10W.
Dimensions: 41.3" (1050mm) H × 9.8" (250mm) W × 13" (330mm) D including adjustable feet. Weight: 154lb (70kg).
Finish:…
search
Sidebar 1: Specifications
Sidebar 2: Associated Equipment
Analog sources: Dr. Feickert Analogue Blackbird turntable with Schick 10.5" tonearm, Koetsu Rosewood Signature Platinum, My Sonic Lab Ultra Eminent Ex, Hana Umami moving coil cartridges; DS Audio DS003 optical phono cartridge (with equalizer/energizer).
Digital sources: Roon Nucleus+ music server; HoloAudio May (Level 3) D/A processor; dCS Bartók DAC/Streamer with Mosaic control app.
Preamplification: Lundahl LL1931Ag step-up transformer, Kitsuné KTE LCR-1 MK4 and EAR Phono Classic phono stages; Rogue Audio RP-7 linestage.
Power amplifiers:…
Sidebar 3: Measurements
I used DRA Labs' MLSSA system and a calibrated DPA 4006 microphone to measure the Stenheim Alumine Three's frequency response in the farfield and an Earthworks QTC-40 mike for the nearfield responses. (I measured serial number 20030028.) Owing to the Alumine Three's weight—approximately 154lb—I wasn't able to lift the loudspeaker as high off the ground as I like to do for the farfield measurements. As this meant that the reflections of the speaker's output from the floor were closer in time to the direct sound, I had to window the impulse response data more…
Register to win one of two Rhino Déjà vu 50th Anniversary Deluxe D2C Vinyl Editions (value $250.00 each), or a limited edition 16"x20" Henry Diltz photo signed by all four members of CSNY (value: $1,500/priceless) we are giving away.
According to Rhino:
This version is only available for purchase on the official CSNY store and Rhino Store, and features the remastered original album and four additional LPs of demos, outtakes, early versions, and alternate versions of songs recorded during the Déjà vu sessions.
Presented as a 5 LP set in a beautiful box with a 12 x 12…
New York City is a dream you can't have—glitz, glamor, grime, too much to take in from within, too much to understand from afar. It's a metropolitan manifestation of the Heisenberg principle, its nature changing with how you look at it. No matter how you try, you can't see the forest for the skyscrapers.
Seen from the distance of my Illinois adolescence, New York was Woody Allen movies and Barney Miller reruns, intellectuals and petty criminals, the intoxicating and the incomprehensible. It was a rock'n'roll city, the rock'n'roll city, home of Kiss (my first love), then the Ramones, then…
Today is Monday. Since Saturday, I have changed the amplifier driving my Falcon Gold Badge LS3/5a speakers three times—from the Parasound Halo A21+ (250Wpc into 8 ohms) to the Pass Labs XA25 (>25Wpc into 8 ohms) to the Elekit TU-8600S (9Wpc into 8 ohms). Now I am listening to the Falcons via the just-arrived RAAL-requisite HSA-1b headphone and speaker amplifier. This unusual, made-in-Serbia amp is priced at $4500. It's specified to produce 10Wpc into 8 ohms, 20Wpc into 4 ohms, 40Wpc into 2 ohms, and 55Wpc into 1 ohm, these values from the loudspeaker output
Just before I installed the…
Throughout Origins, the scale and air-moving power of these not– Carnegie Hall instruments was presented less transparently but with more earthy color and fleshy body than with the Pass Labs XA25. Overall, with the SR1a, the RAAL HSA-1b delivered a richer, meatier, more colorful sound.
Vs Jotunheim R
Schiit Audio's Jotunheim R amplifier was designed and built for just one purpose: to deliver up to 13 amps directly into RAAL's low-impedance SR1a ribbon headphones. If you buy the Jot-R from Schiit, it costs $799, or $999 with Schiit's True Multibit DAC card installed. The Jot-R may…
The members of Big Thief, clockwise from front: Adrianne Lenker (guitar, vocals), James Krivchenia (drums), Max Oleartchik (bass), and Buck Meek (guitar, backing vocals). Photo: Michael Buishas.
As the title of a fan blog puts it, indie is not a genre. It is potentially every genre. It's an attitude, an approach, a commitment to self-expression without regard to, or in spite of, mainstream demands. It's the blend that nobody can label, the outré, the ahead-of-its-time, the defiantly retro.
As emotionally satisfying as that wide-ranging definition is, the recording of indie music…
High Violet has Katis's signature sonic intensity paired with more emotionally accessible songs than on the previous albums Alligator and Boxer. Lead singer Matt Berninger has described in interviews how they tried to grow their audience by altering their poetic content, melodic style, and sound production. Listen for details like the focus on the trilling guitar woven into the tapestry of "Afraid of Everyone" as the vocals become more and more diffuse.
Speaking of making records in relative isolation, Bon Iver's second album, Bon Iver (2011, Jagjaguwar), recorded in a…
Grateful Dead: Grateful Dead
Rhino R2655956 (2CD). 2021. Grateful Dead, prod.; Bob Matthews, Betty Cantor, David Glasser, engs.
Performance ****
Sonics ***½
Rhino R2655956 (2CD). 2021. Grateful Dead, prod.; Bob Matthews, Betty Cantor, David Glasser, engs.
Performance ****
Sonics ***½
As the 1960s became the '70s, the Grateful Dead went through a remarkable transition. After unsuccessfully trying to reinvent the wheel in the studio and finally clicking with Live Dead, the group found its mojo. In 1970, the band released its two greatest studio albums, Workingman's Dead and American Beauty. But the Dead made its bones on live performances, and early in '71 they decided to make another live record even…