Both men are involved in every stage of production, but Bender (North Dakota) specializes in sound analysis and marketing, while Magerman (Pennsylvania) handles design and development. Their cables are voiced through a number of different systems in an attempt to eliminate every possible problem in the connection; and with a special emphasis on…
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Though they’d spent the last two years working on their Darwin Cable Company designs, Tony Bender (left) and Bill Magerman had only just met. Prior to this year’s RMAF, all of their communication had taken place via email and over the phone.
John Wolff's Classic Audio company has been a fixture at audio shows the past few years, always showing his beautifully made speakers, combining hornloaded midrange and highs with big paper-cone woofers, most recently using field-coil–energized drivers. This year John was demming the T-3.4, which combines a field-coil–energized midrange unit, with a 4" beryllium diaphragm loaded by a wooden horn horn with a 2" throat, with a pair of 15" woofers operating below 500Hz, one firing forward, the other at the floor, and a "Ultra-High-Frequency" supertweeter operating above 12.5kHz.
Driven by…
Daedalus Loudspeakers has been a loyal exhibitor at RMAF, along with ModWright Instruments and WyWires. Their system showcased the Ulysses v.2 speakers ($14,950/pair) driven by a ModWright KWA 150 Signature amplifier ($8495), with the front-end a pre-production prototype ModWright Elyse DAC (price TBD) fed data from a ModWright-modded Oppo disc player, and ModWright LS 36.5 two-box preamp with tube-regulated power supply ($9995). Cables were WyWires PLatinum interconnects (from $1495) and Silver Series AC cords, with Daedalus/WyWires speaker cables. The Ulysses uses two full-range Fostex…
M•A Recordings' Todd Garfinkle is proud to now offer Sera Una Noche’s beautiful La Segunda—on vinyl. Garfinkle explained that the source was upsampled to 5.6MHz and that the record was then cut "on the fly." The result is "a double-DSD–mastered LP."
I also got to see and feel a sample of Garfinkle’s new inner sleeves, which he had made over the summer in Japan. As far as inner sleeves go, these are really luxurious. Made from a combination of two synthetic fibers, the material breathes, considerably lessening the possibility for mold and mildew to build up on the surface of…
The KingSound King III electrostatic loudspeakers ($12,000/pair) sounded superb at RAF, without the sweet-spot beaming I would have expected from their width. Amplifier was the 120Wpc, $6500 Innamorata from Wells Audio that I first heard at the 2013 Newport Beach Show, with an EAR 868 tube preamp ($7395) and Kaplan cables. Source was the latest Sound Science Music Vault M7 ($5595) with an Antelope Zodiac Platinum DAC with Voltikus power supply ($5500). Analog source was a Townshend Rock 7 turntable ($3900) fitted with an Ortofon Rondo Blue cartridge ($879).
Contributing to the…
I was as surprised as everyone else who walked into the MSB room to find the company’s Universal Media Transport Plus ($5995), Diamond DAC Plus with Diamond Base ($34,000), and 200Wpc Platinum Stereo S201 amplifier ($17,995) driving the enormous SoundLab M1PX loudspeakers.
We didn’t do much talking in this room. My notes read: “You kinda just hang on to every second of the music.”
After show hours, when casual talk inevitably turned to discussions of "best sound," this MSB-SoundLab room was mentioned time and time again.
I first heard Rockport's Avior speaker ($29,500/pair) in the VTL room at the 2012 CES where both Stephen Mejias and I were impressed by their sound. They sounded as good in the Xact Audio room at RMAF, driven by Absolare Passion Signature, zero-feedback, class-A, single-ended power amps ($48,500/pair). But contributing to the sound was the intriguing room treatment that you can see on the wall, cardboard diffusors that Xact calls the MIO and sells for $99/12 square feet.
Source in this room was the BEAT MagDrive turntable ($34,000), fitted with a Schröder LT tonearm ($9900) and a Lyra…
The UK’s Neat Acoustics is distributed in the US by High Fidelity Services in Braintree, Massachusetts. Here we see the company’s Motive SX2, in sassy pink ($2395/pair), driven by a Sonneteer Orton integrated amplifier ($3795). The digital source was Sonneteer’s Byron CD player ($2795), while vinyl was being spun on a VPI Scout 2 ($2400) with a Dynavector 20-2 XL cartridge ($850). The attractive rack is the Custom Design Ikon 750 Reference ($1475). Neat, indeed.
Zesto first made its name with its Andros PS1 tubed phono preamplifier that Michael Fremer raved about in his April 2013 "Analog Corner" column. Then they launched the $7500 Leto tubed line stage, which Bob Reina will be reviewing in our February 2014 issue. Now they have the Bia 120 stereo power amplifier ($12,500), which uses a pair of autobiased KT88s per channel to produce 60Wpc. In a system featuring a Merrill Williams Real 101 turntable mounted with a TriPlanar tonearm and Dynavector XX2 cartridge, and TAD Evolution One speakers ($29,800/pair), I auditioned Steely Dan's classic "Hey…
One of our favorite small desktop loudspeakers has been significantly revised. Audioengine’s new A2+ powered loudspeaker ($249/pair) is scheduled to ship on November 1. Upgrades include a built-in 16-bit Burr-Brown DAC; variable subwoofer output; and improved binding posts, AC connection, and power supply.
Bass response has also been addressed. Audioengine's Brady Bargenquast explains, "In the new A2+ we've included a linear limiter which will manage the bass at the point where bass distortion starts to occur. Being a linear limiter, it will not chop the signal, but instead retains the…