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Ah, Zu Audio, ever the chameleon, albeit with a distinctive color. At the California Audio Show last August, Zu paired their loudspeakers with gray-tinged tube electronics that toned down their sometimes metallic leading edge; at RMAF, with Peachtree Audio’s Grand Integrated ($4500), whose design let the true nature of Zu’s Druid Mk.V loudspeakers ($5200/pair), Submission sub ($3995/each), and Zu Event cabling, emerge in the best possible light. With the system easily filling the large room, Animal Collective sounded suitably raucous—Zu is take no prisoners when it comes to rock—and Jeff…
Hardly ones to shy away from the big stuff, the folks at Apex Audio Denver filled the mezzanine’s large Blanca Peak room with an I-dare-not-do-the-math system that, for starters, paired Focal Stella Utopia EM loudspeakers ($95,000/pair) with Soulution’s 500 monoblock amplifiers ($55,500/pair), 530 integrated amplifier ($49,000), 520 preamp ($26,000), and 540 CD/SACD player ($32,500). Those still breathing can add in a Transrotor Rondino Nero turntable ($14,000), Graham Phantom Supreme ($6800), and Air Tight PC-1 Supreme Cartridge ($10,500). (I’m not sure if the first track I heard in the room…
Every music lover/audiophile with vision longs for the same thing: those magical moments when the system disappears, the time-space continuum parts, and we find ourselves mystically transported to a place where only the transcendent wonder and beauty of musical creation exists. For me, one of those unexpected listening experiences that make life worth living occurred on the Marriott’s mezzanine, when Kevin Hayes of VAC (Valve Amplification Company) played my JVC-XRCD of Sarah Vaughan and the Duke Ellington Orchestra performing Sondheim’s “Send in the Clowns.”
As the great Ms. Vaughan sang…
Photo: John Atkinson
At a 9am press conference Saturday, October 12, whose attendance was curiously dominated by Stereophile and our sister computer audio online site, AudioStream.com, Jared Sacks of Channel Classics and Philip O’Hanlon of On A Higher Note announced the November 1 launch of nativedsd.com. A world-wide accessible, multi-label download site dedicated exclusively to native DSD recorded stereo and multi-channel studio masters, the site promises centralized shopping for native DSD recorded Edit Master files, along with information and discussion of both software and hardware.…
When I walked into the On A Higher Note room at RMAF, Philip O'Hanlon was playing Doug McLeod's There's a Time LP, our May 2013 "Recording of the Month," and very good it sounded too. Turntable was a Brinkmann Bardo fitted with a TriPlanar 12" tonearm and a Brinkmann Pi cartridge, with a Luxman L590X integrated amplifier ($9500) driving the superb Vivid B-1 loudspeakers ($14,990/pair) that I reviewed in October 2011. Cables and power conditioning was by Shunyata.
But the reason I visited this room, which was on Jason Serinus' beat, was to return a Transparent USB cable Philip had left…
The very first room I visited at the 2013 RMAF was Sony's, where they were demonstrating the HAP-Z1ES hi-rez file player (top, $1999) that I reported on in September. This neat device features a 1TB internal drive, Ethernet and WiFi connectivity, and can be controlled by an app running on a tablet or phone. It will upsample any format to double-DSD as well as handling native single-DSD and double-DSD files. It comes preloaded with 20 hi-rez albums from Sony, Warner, and Universal and the goal was to make file playback as easy and as fast as playing a disc. It doesn't, therefore, allow…
I’ve grown quite fond of Nola Metro Grand Reference Gold loudspeakers ($33,000/pair). Mated once again with ultra-transparent, full-range Nordost Odin cabling and several Nordost Quantums ($2200/each), the system brought out the true nature of Audio Research’s CD-8 CD player ($9000), Reference 75 amplifier ($9000), and Reference 10 preamplifier ($30,000). On a recent Mercury Living Presence CD reissue of music by Chabrier, that made for an easy-on-the-ears, slightly damped top and the dominant ARC midrange that so many people love. JA tells me that he also was impressed by the sound in this…
Did that title get your attention? Andrew Jones’ TAD Evolution 1 loudspeakers ($29,500/pair) usually do by themselves. But, in this case, they were paired with TAD’s visually understated M600 amplifiers ($68,000, presumably for the pair), C600 preamp ($42,000), and D600 (CD/SACD) disc player ($32,000), as well as Ron LaPorte’s forthcoming Blue Smoke Entertainment Systems’ Black Box II digital music server/client ($3995) and USB to 384/32 digital output ($2995—both expected late 2013).
When I entered, Count Basie was making wonderful music, with the horns especially rewarding. Next came…
Lovely, warm and delicate sound, unmistakable tube bloom, and fantastic percussive impact distinguished my brief time in this room. Danny Richie of GR-Research’s open-baffle, line-source LS-X loudspeaker system ($39,000/pair), which includes two integrated servo-controlled subwoofer towers, mated extremely well with Dodd Audio’s battery-powered 34Wpc monoblock power amplifiers ($2900/pair plus battery and charger) and tube amplifier ($1199 plus battery, charger, and tweaks), and a Mac-based computer source feeding a not-yet-released dB Audio Labs Evolution DAC ($1495 or higher). Cabling was…
Dennis Fraker of Serious Stereo was having a ball playing his favorite Eagles Farewell 1 Tour–Live from Melbourne Blu-ray on an older Pioneer Elite Blu-ray player, Serious Stereo Ultra-Dynamic Attenuator ($2800 FOB), a pair of Serious Stereo 2-stage direct-coupled amplifiers ($15,750 shipped), and Serious Stereo loudspeakers boasting Altec 604 duplex 15” point-source transducers ($13,800/pair FOB). I wouldn’t call the sound audiophile nirvana, but it sure was a fun change of pace. Would have loved to have heard the components with the latest Oppo.