"The studio portion of making that record was effortless," Albini said. "We were done and dusted in 12 days. Everybody was happy as clams. The process of making that record was absolutely…
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To briefly summarize the controversy: Nirvana's management, Gold Mountain, and their record label, Geffen Records, were not happy with the band's choice of Albini as engineer. Although Albini had only spoken with Kurt Cobain, Dave Grohl, and Krist Novoselic on the phone, all went well when at last they met, at Pachyderm Recording Studio in Cannon Falls, Minnesota, and recording proceeded with ease.
Saturday June 2, 11am–5 pm, Command Performance (115 Park Avenue, Suite 2, Falls Church, VA 22046) welcomes Nick Doshi of Doshi Audio and Anthony Chiarella of Brinkmann Audio for a special analog event. Doshi will be demonstrating a full suite of tube products, including high-power amps and preamps (line, phono, and tape), and Nick will have his reel-to-reel deck. Brinkmann will feature the direct-drive Brinkmann Bardo turntable system. Refreshments will be served. For questions or more information, call (703) 532-7239 or email info@commandav.com.
Brooklyn, 1979: Fridays were fierce. After a week of doing construction, I would gobble Wild Turkey at the Spring Lounge, then fall asleep on the F train with a fold of cash and a Sony Walkman stuffed in a chest pocket of my paint-spattered Belstaff Trialmaster jacket. Usually I missed my York Street stop by only a few stations, but occasionally I'd wake up at sunrise on Saturday at the last stop: Coney Island. I didn't mind. It was restorative to shuffle the deserted boardwalk, listening to the Ramones' Road to Ruin or Television's Marquee Moon.
Koss Porta Pro headphones
During the…
Focal Clear vs Audeze LCD-X: Audeze's easy-to-drive, 20-ohm, 103dB/mW LCD-X headphones are my real-world reference cans. They and Sennheiser's HD 800 S headphones—both models cost $1699—are the ones that Focal's Clear, at $1500, needs to beat.
My experiences with the venerable HD 800 Ses are limited to trying them at CanJams, but the not-always-comfortable LCD-Xes have spent more time on my head than have any headphones other than the Koss Porta Pros. I cherish the Audezes' lively, blues-with-a-feeling dynamics and the burnished-toned way they reproduce the sounds of violins, guitar…
Sidebar: Contacts
Koss Corporation, 4129 N. Port Washington Avenue, Milwaukee, WI 53212. Tel: (800) 872-5677. Web: www.koss.com.
Focal-JMlab, 108 rue de l'avenir, 42353 La Talaudière cedex, France. Tel: (33) 04-77-43-57-00. Web: www.focal.com. US distributor: Focal North America, 313 Rue Marion, Repentigny, Quebec QC J5Z 4N8, Canada. Tel: (800) 000-0001, (844) 362-2562. Web: www.focal.com/us.
iFi Audio, 139-141 Cambridge Road, Churchtown, Southport PR9 7LN, Merseyside, England, UK. Web: www.ifi-audio.com. US: iFi Audio (USA), 105 Professional Parkway, Suite 1519, Yorktown…
"Okay, all you high-rolling audiophile know-it-alls—what is the argument against amplifiers that operate in high-bias, class-A, single-ended mode, with the lowest possible parts count? Is there a better strategy for beauty, rhythm, color, texture, and easy-flowing musical verity? I think not. And please explain: Why has mainstream audio gone to such ridiculous and expensive lengths to avoid building and selling precisely these sorts of amps?"
It was I, your humble prattler, who in October 2016 posed that rhetorical question, in my review of the First Watt J2, a 25Wpc power amplifier…
I wish you could have heard how physically present and emotionally intimate the Rogers 65V-1 made Buddy Holly's Down the Line: Rarities (2 CDs, Decca B0011675-02) feel through the DeVore Orangutan O/93s. The sense of Holly's physical presence was so captivating that I fell into a Holly listening binge that has yet to end. I'm infatuated with his famous Apartment Tapes, recorded in December 1958 in the living room of the Manhattan flat he shared with his new wife, Mar°a Elena Santiago, only weeks before his death at the age of 22.
I didn't need golden ears or laboratory meters to…
Sidebar 1: Specifications
Description: Single-ended, tubed, stereo integrated amplifier with switchable triode/Ultralinear output-stage operation. Tube complement: two EF86, two EL34 or KT88. Line-level inputs: 4 unbalanced (RCA). Outputs: gold-plated, solid copper binding posts. Power output (defined in terms of THD): 1W into 8 ohms at <0.5% THD, 10W at <3% THD, 25W peak. Frequency response: 20Hz–20kHz, ±0.1dB.
Dimensions: 17" (430mm) W by 7.5" (190mm) H by 12" (305mm) D. Weight: 24 lbs (10.9kg).
Finish: Black powdercoat.
Serial number of unit reviewed: 65015.090517.…
Sidebar 2: Associated Equipment
Analog Sources: AMG Giro G9 turntable & 9WT tonearm, Linn LP12 turntable & SME M2-9 tonearm; AMG Teatro, EMT TSD 75, Koetsu Rosewood Standard MC cartridges.
Digital Sources: Integra DPS-7.2 DVD player (used as CD transport); Mac mini running Audirvana+ 3.2; HoloAudio Spring "Kitsuné Tuned Edition" Level 3, Mytek HiFi Manhattan II, Schiit Audio Yggdrasil DACs.
Preamplification: Auditorium 23, Bob's Devices CineMag 1131, Dynavector SUP-200, EMIA Phono, My Sonic Lab 1030 MC step-up transformers; Musical Surroundings Phonomena II+ with Linear…
Sidebar 3: Measurements
I measured the Rogers High Fidelity 65V-1 with my Audio Precision SYS2722 system (see the January 2008 "As We See It"). The maximum gain at 1kHz into 8 ohms varied with operating mode and output tube and was mostly lower than specified, ranging from 18.7dB (KT88s, triode mode) and 21.3dB (EL34s, triode) to 23.8dB (KT88s, Ultralinear mode) and 25.85dB (EL34s, Ultralinear)—all lower than the norm for an integrated amplifier. The maximum gain at the headphone jack measured 25dB. Both the speaker and headphone outputs preserved absolute polarity (ie, were non-inverting…