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HoloAudio Spring "Kitsuné Tuned Edition" Level 3 D/A processor Art Dudley July 2018

Art Dudley wrote about the HoloAudio Spring DAC in July 2018 (Vol.41 No.7):

Praise it all you want, but digital audio is still my second choice: In a life in which the enjoyment of art is infinite but the hours in which to do so are limited, and given the choice between listening to LPs and 78s on the one hand or files and CDs on the other, digital is a waste of my time: It doesn't connect me with the music as well as analog does, period. In my experience, digital audio isn't evil, merely banal.

But digital is getting better all the time, and part of my job description is to…

Kjell Tore Innervik: <I>Utopias</I>

Kjell Tore Innervik: Utopias: Radical Interpretations of Iconic Musical Works for Percussion
Xenakis: Psappha. Morton Feldman: The King of Denmark.
Kjell Tore Innervik, percussion
2L 2L-141-SABD (SACD/CD, BD, downloads: DXD, DSD256, MQA). 2018. Morten Lindberg, prod., editing, mix, mastering, balance; Beatrice Johannessen, rec. technician. DDD. TT: 46:04
Performance *****
Sonics *****

With 32 Grammy nominations, 24 for Recording Engineer and Music Producer, Morten Lindberg and his 2L label continue to issue one astounding recording after another. Their recordings are…

Highway 61 Revisited

Photos: Jim Austin

I'm sitting in a rented Nissan just off Highway 61—yes, that Highway 61—looking out at a Shell station through the bug-stained windshield and across a litter-strewn, not-yet-planted cotton field. It's late March, and I've just left Clarksdale, Mississippi, on my way to Memphis. Leaving Clarksdale made me thoughtful, so I've pulled over to jot down a few notes.

Clarksdale—specifically, the intersection of highways 61 and 49, at the town's southern edge—is the crossroads where, according to legend, Robert Johnson encountered the Devil and exchanged his soul for his…

Listening #187: Shindo Mr. T

In the rural home in Cherry Valley, NY that my family and I inhabited from 2003 to 2017, we had dirty water but clean electricity. Evidence of the latter was seen in the results of tests performed by a technician from the local utility, National Grid—I told him I intended to do commercial sound recording on site, which was close enough to the truth that I considered my sin venal rather than mortal—and heard in the sound of my playback system, which rejected as superfluous or worse all of the AC-conditioning products I tried there. As for that, keep in mind that the purification of power,…

Listening #187: Shindo Mr. T Page 2

Anxious to prolong my mono-maniacal buzz, I reached for an early LP version of soprano Bidú Sayão's 1945 recording of Villa-Lobos's Bachianas Brasileiras 5, with the composer conducting an ensemble of eight cellos and one double bass (LP, Columbia Masterworks ML 5231). With the Mr. T, her voice was more human and compelling than without. Again, tempos seemed steadier, and the plucked notes of the cellos had greater apparent force. It was here that the word Wow made the first of many appearances in my notes.

My Shindo Monbrison preamplifier and Shindo Haut-Brion power amp were beginning to…

Listening #187: Shindo Mr. T Contacts

Sidebar: Contacts

Shindo Laboratory, 20-9, Hongo 2 Chome, Bunkyo-ku, Tokyo 113-0033, Japan. Web: www.shindo-laboratory.co.jp. US distributor: Tone Imports. Web: www.toneimports.com

AudioSilente, via Felice Grossi Gondi 29, 00162 Rome, Italy. Tel: (39) 3289610968, 0686323102. Fax: (39) 0686323102. Web: www.audiosilente.com

Adams Takes the Violin Up, Down, Around, and Through

Twenty-five years after the premiere of John Adams' Violin Concerto, the music remains as vital, exhilarating, and strangely moving as the day it was birthed. An extremely demanding work, its three contrasting movements present a triathlon challenge of sorts to anyone who dares try to play them.

Here, she who rises to the challenge is violinist Leila Josefowicz. Provocatively pictured on the CD cover as a curious cross between an athlete in repose and Rodin's reflective thinker, and shown inside the booklet in very hip, thoroughly artistic renegade drag, Josefowicz lives up to her…

Bricasti Design M15 power amplifier

On the second morning of a recent audio show, I walked into the exhibit room of Bricasti Design.

"How about some Mahler?" asked cofounder and designer Brian Zolner.

"Oh God. Not at 10am!"

Listening to Mahler had become de rigueur for my visits to the exhibits of this Massachusetts-based company. From the very first time that Zolner had played part of Iván Fischer and the Budapest Festival Orchestra's recording of Mahler's Symphony 2 (SACD/CD, Channel Classics 23506) through a system that combined Bricasti's M28 monoblock power amplifiers, M1 DAC, and M12 Source Controller…

Bricasti Design M15 power amplifier Page 2

Listening
Having wasted too many hours critically listening to allegedly fully-broken-in gear that was clearly still unready for prime time, I no longer take manufacturer assurances of factory break-in at face value. I cued up a Nordost break-in CD and ran both its break-in and demagnetizing tones through the system continuously at a decent volume for a good three–four days, and began each listening session with an additional 30-minute round of break-in and demagnetization. The M15's sound remained consistent throughout the listening period; it's fair to conclude that it was sufficiently…

Bricasti Design M15 power amplifier Specifications

Sidebar 1: Specifications

Description: Solid-state stereo power amplifier. Inputs: 1 unbalanced (RCA), 1 balanced (XLR). Outputs: 1 pair speaker binding posts. Power output: 125Wpc into 8 ohms, 250Wpc into 4 ohms, 500Wpc into 2 ohms (all 21dBW). Frequency response: 10Hz–150kHz, ±0.5dB. Gain: 27dB. Signal/noise: >85dB at full rated power. Input impedance: 100k ohms unbalanced, 200k ohms balanced. Output impedance: N/S. Power consumption: 60W standby, 2W idle.
Dimensions: 17" (430mm) W by 10.5" (265mm) H by 18" (455mm) D. Weight: 90 lb (40.8kg) net, 110 lb (49.9kg) shipping.
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