Like Nottingham's designer, the late Tom Fletcher, Jon Palmer believes that effectively spinning a turntable platter—particularly a heavy one like the Palmer's 21-pounder of aluminum alloy—requires less torque, not more. Flip the switch on the back of the 2.5's standalone…
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Palmer Audio's 2.5 turntable, with its laminated plinth of Baltic birch and metallic features, looks Scandinavian but is made in the UK. It shares a few conceptual similarities with the turntables made by Nottingham Analogue, another British brand. The review sample had the optional side panels of cherrywood veneer.
Herb Reichert wrote about the Palmer & Origami in July 2017 (Vol.40 No.7):
The words right and wrong and good and bad make me uncomfortable. Assigning virtue or value is against my religion. And thinking that I know the best way to design a loudspeaker, amplifier, or record player would only prove that I'm a conceited old fool. Therefore . . .
When I feel the urge to upgrade my analog pleasures, I keep an open mind and endeavor to shop outside my comfort zone. And, because I can, I consult with me ol' runnin' buddy Michael Trei, contributing editor to Sound & Vision, and…
Sidebar: Specifications
Palmer Audio 2.5: Belt-drive, two-speed turntable with separate power supply.
Dimensions: 18.9" W by 7.5" H by 13.8" D. Weight: about 44 lbs.
Price: $7995 (2014), $8990 (2017).
Manufacturer: Palmer Audio. Web: www.palmeraudio.co.uk. US distributor: Fidelis Home Audio, 460 Amherst Street (Route 101A), Nashua, NH 03063. Tel: (603) 880-4434. Fax: (603) 880-4433. Web: www.fidelisav.com.
Audio Origami PU7: Tonearm available in 9" and 12" versions.
Price: $3000.
Manufacturer: Audio Origami. Web: www.audioorigami.co.uk. US distributor:…
One day before the Los Angeles Audio Show, Jason Victor Serinus, his fresh haircut, and I visited VTL Amplifiers, Inc. in Chino, California. We were given a tour of the factory by Bea Lam and Luke Manley, who were featured in this 2007 interview by Jason. While Jason has a certain sense of familiarity with Bea, Luke, and their amplifiers, I only became truly aware of VTL at the 2016 Rocky Mountain Audio Fest, when Bea and I fatefully met in the women's restroom of the hotel lobby—a rare place to meet people at a hi-fi show! (I highly recommend it.)
It was interesting to see how small and…
To avoid disappointment and save yourself literally hundreds of dollars, it's a fine rule of thumb to remember that seeing solo acts, rock bands or even aging jazz stars that you might have loved in the 1960s, '70s, or '80s (can the '90s be far behind?) is almost always an exercise in frustration. That's the beauty of recordings. If they contained inspired music and were well-recorded, they age well. Musicians that were once young and vital . . . not so much.
And then there's the Rolling Stones.
If you can put aside the fact that what was once a rock 'n' roll band has now grown…
Conductor Osmo Vänskä, whose Minnesota Orchestra has previously distinguished itself in multiple recordings of Sibelius and Beethoven, is now turning to the symphonies of Gustav Mahler. Newly arrived is his hybrid SACD, for BIS, of Mahler's Symphony 5. The first issue in a projected series that will next offer Mahler's Sixth and Second Symphonies at dates unspecified, it may not win over those whose allegiance adamantly rests with Bernstein, Chailly, Rattle, Abbado, Tilson-Thomas, Fischer, and/or other distinguished Mahler interpreters. Nonetheless, the strength of the recording's first…
With Quad's reworking of Peter Walker's "Wonder," the full-range ESL-2912 electrostatic, featured on its cover. Inside you'll find John Atkinson on Rockport's Avior II loudspeaker; Herb Reichert on an affordable amplifier from Emotiva and cost-no-object headphones from Abyss; Art Dudley on a Bryston's CD player; Michael Fremer on Brinkmann's MQA-capable Nyquist DAC and Ortofon's Windfeld Ti cartridge; and Jim Austin on PS Audio's ultimate monoblock.
The August issue kicks off with Jason Victor Serinus declaring it's time we stopped referring to our shared love for recorded music with high…
In this video I profile New York-based tube electronics technician Blackie Pagano, who fixes and upgrades "anything that makes or passes music and utilizes vacuum tubes." I first learned of Blackie when looking for a repairman to take my Fisher 800-C to. JA, Herb, and everyone I asked said—without hesitation—"You have to take it to Blackie. He's the best for the job."
Blackie's been a tube audio mechanic and high-performance audio builder for over 25 years, but before that, he worked as a roadie, live sound engineer, recording engineer, and studio technician. His client list includes…
The New Analog: Listening and Reconnecting in a Digital World, by Damon Krukowski. The New Press, 2017. Hardcover, 240 pp., $24.95. Also available as an e-book.
Defining noise is tricky business.
In high-end audio, noise is often defined as the enemy—of music, beauty, truth. Engineers and enthusiasts alike spend significant amounts of time, energy, and money attempting to minimize or control noise so that it has the least possible impact on the source signal: music. In this way—if we are intelligent, careful, and fortunate—we can extract from our stereos cleaner, clearer, more…
If Stereophile gave an award for Loudspeaker We've Most Frequently Reviewed, the hands-down winner would have to be the Quad ESL. The list of past and present Stereophile contributors who've written about the ESL's various incarnations includes John Atkinson, Martin Colloms, Anthony H. Cordesman, Art Dudley, Larry Greenhill, J. Gordon Holt, Ken Kessler, Dick Olsher, Herb Reichert, William Sommerwerck, Steven Stone, and Sam Tellig. The ESL-63 was John Atkinson's personal "Editor's Choice" in 1992, and the ESL-989, a successor to the ESL-63, was Stereophile's 2003 Loudspeaker of the Year and…