At one point, after the review was published, I invited my…
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Description: Two-and-a-half-way, ported floorstanding loudspeaker. Drive-units: 1" (25mm) C-CAM gold dome tweeter, 6" RST mid/woofer, 6" RST woofer. Crossover frequencies: 700Hz LF, 2.7kHz MF/HF. Frequency range: 38Hz–35kHz. Sensitivity: 90dB/W/m. Nominal impedance: 6 ohms. Maximum SPL: 114.8dBA. Power handling: 125W RMS. Recommended amplification: 40–125W RMS.
Dimensions: 35 5/8" (905mm) H by 1013/16" (275mm) W by 123/16" (310mm) D (includes plinth and feet). Weight: 36.13 lbs (16.4kg).
Finishes: Black Oak, Natural Oak, Walnut, Rosenut (all real wood);…
Analog Sources: VPI TNT IV, Rega Planar 3 turntables; Immedia, Syrinx PU-3 tonearms; Koetsu Urushi, Clearaudio Virtuoso Wood cartridges.
Digital Sources: Lector CDP-7T, Creek Destiny CD players.
Preamplification: Vendetta Research SCP-2D, Creek Destiny phono stages; Audio Valve Eclipse line stage.
Integrated Amplifier: Creek Destiny.
Power Amplifier: Audio Research Reference 110.
Loudspeakers: Epos M5i, Dynaudio Excite X12, Monitor Audio Silver RS6.
Cables: Interconnect (all MIT): Magnum M3, MI-350 CVTwin Terminator, MI-330SG…
I used DRA Labs' MLSSA system and a calibrated DPA 4006 microphone to measure the Monitor Audio Silver RX6's frequency response in the farfield, and an Earthworks QTC-40 for the nearfield responses. The Silver RX6 is specified as having a voltage sensitivity of 90dB/W/m. My estimate was slightly lower, at 88dB(B)/2.83V/m, which will not be a problem. The RX6's impedance (fig.1) remained below 8 ohms over most of the audioband, with a minimum magnitude of 4.35 ohms at 160Hz; this speaker will work best with 4 ohm–rated amplifiers and receivers. Fig.1 was taken with…
He’s plowing mainly in the modal fields of his father’s legacy, music untethered from chord changes, doubly dangerous territory, not just because he’s begging comparisons but because most horn players who go that route get stuck running up and down scales for lack of anything to say or any harmonic weather…
Sun, Cat Power’s first album of original material since 2006’s The Greatest, will be released by Matador Records on September 4th. September 4th is going to be an awesome day.
The album was performed and produced entirely by Chan Marshall; it was mixed by Philippe Zdar of Cassius.
Listen to the first single, “Ruin,” here. Anchored by a salsa-like piano vamp and bolstered by nasty guitars, deep pocket bass, thrilling percussion, and memorable hooks, “Ruin” is pure Cat Power: dark, sexy, and compelling.
Leaves you wanting and needing…
With New York City temperatures rising into the high 90s this afternoon, there’s no doubt that summer has officially arrived. And summer means great live music. Ask Stereophile’s editorial assistant, Ariel Bitran, who returned to the office all bronze-skinned and bleary-eyed after attending the recent Bonnaroo festival in Manchester, Tennessee. (He’s been wearing sandals ever since.) And, while I can understand and appreciate the desire to get…