How Dorfsman set up the room in AIR Montserrat tells more of the sonic tale. He deployed Sennheiser MD 421 microphones on the toms, an Electro-Voice RE20 and AKG D12 on the kick, Shure SM57 and AKG C451 with a 20dB pad on the snare, more 451s for overheads and the hi-hat, and Neumann U87s a bit farther back in the room for ambience.
Clark's piano sat alone in a very tight, dead-sounding booth in the far-right corner of the live room and was miked with AKG C414s. His Hammond B-3 sat diagonally across from it, just beyond the barrier and to the right of the drums. The B-3's Leslie…