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In last month's As We See It, I offered some reminiscences of my almost half-century of being involved in audio magazine publishing, as well as some thoughts on the Law of Diminishing Returns as it applied to the prices of hi-fi products. As I was compiling this issue's Records 2 Live 4, it struck me that my interest not just in audio but in recording live music started 10 years earlier, when my parents bought me a mono Grundig tape recorder for my birthday. I first used the Grundig to record the high school rock group in which I played bass guitar, then replaced it with a stereo Sony tape…
Elvis Costello: King of America & Other Realms
UMG 602488514378 (6 CDs). 2024. Costello and Henry "T Bone" Burnett, original album prod., Costello, Steve Berkowitz, reissue prods.; William Berry Jackson, David Dominguez, Larry Hirsch, Mark Linett, others, engs.
Performance ****½
Sonics ****
UMG 602488514378 (6 CDs). 2024. Costello and Henry "T Bone" Burnett, original album prod., Costello, Steve Berkowitz, reissue prods.; William Berry Jackson, David Dominguez, Larry Hirsch, Mark Linett, others, engs.
Performance ****½
Sonics ****
By the mid-1980s, Elvis Costello was in dire need of a change in musical direction. As he recounts in the extensive new liner notes, he was "playing in a band that suddenly sounded like four strangers." Seeking inspiration, he decided the path forward was to use his own name, Declan…
T+A R 2500 R Streaming Receiver Phono Module
In my review of the T+A R 2500 R receiver in the August 2024 issue, I covered many of its features and took as deep a dive as time and column inches allowed. Suffice to say, it's a very complex device, a near-complete system minus speakers (and a turntable/cartridge system, if you're into vinyl). It's a radio (FM and FM-HD), CD player, networked streamer-computer, DAC, analog preamplifier (including analog tone controls), class-AB power amplifier, and power supply, all in one relatively compact and mid-weight, well-finished metal chassis. It is…
It was October 1990 and Richard Lehnert, at that time Stereophile's music editor, buttonholed me in our office parking lot. He had an idea for a new feature in which, instead of recommending audio components, which we had been doing since the first edition of Recommended Components in 1963, we should do the same for music. "Rather than a selection of all-time (or year's) best recorded performances—which are common enough—or a list of audiophile reference recordings—common enough in the audiophile press, at any rate," he said, "this would be a list of stereo recordings that are both musically…
John Atkinson
Jeff Buckley: Mystery White Boy: Live '95-'96
Jeff Buckley (vocals, guitar), Michael Tighe (guitar), Mick Grondahl (bass), Matt Johnson (drums)
Columbia 4979722 (CD, 16/44.1 FLAC, Qobuz/Tidal). 2000. Mary Guibert, Michael Tighe, prods.
I was late to Jeff Buckley's music, not becoming aware of his enormous talent as a songwriter/guitarist/singer until long after his premature death in 1997. His album Grace was one of my 2007 Records to Die For, and soon after that I bought Mystery White Boy: Live '95-'96 . It took me a while to warm up to…
Phil Brett
The Jam: All Mod Cons
Polydor Records. 0602537459100. Vic Coppersmith-Heaven, prod.; Peter Schierwade, eng.
Paul Weller was running out of ideas, so he turned to his hero Ray Davies for song-writing inspiration. The immediate result was a vibrant cover of The Kinks' "David Watts." "Down in the Tube Station at Midnight" followed—an epic story on 45rpm. Both are included on All Mod Cons, an album that retains the punk edge and attitude, but it's articulate, it has breadth—harmonies even! Each song is a vignette of British life. But what really shocked…
Brian Damkroger
Raspberries: Raspberries' Best
Capitol Records ST-11524 (LP). 1976. Jimmy Lenner, prod.; Shelly Yakus, eng.
Okay, picking a greatest hits compilation is cheating. But here's the thing. I'm convinced that Best is and always was a single album. Raspberries, Fresh, Side 3, and Starting Over weren't albums, you see, but products of an insidious conspiracy. Think about it. These four were like any 1970–'80s power pop albums, a couple of great cuts surrounded by filler. Here's where it gets interesting, though. Power pop albums were unfailingly one and…
Andrey Henkin
Necrophagist: Epitaph
Relapse 6628-2 (CD). 2004. Christoph Brandes, Muhammed Suiçmez, prods., engs.
On the heavy metal family tree is a tiny branch with only a few leaves: German technical death metal. Necrophagist was the spawn of guitarist Muhammed Suiçmez, active from 1992 to 2010 yet only releasing two albums before disappearing, literally, as Suiçmez hasn't been heard from since. While he was almost solely responsible for the debut album Onset of Putrefaction, the follow-up, Epitaph, has an actual band and much more fully realizes Suiçmez's…
Sasha Matson
Muddy Waters: Muddy Waters Sings "Big Bill"
Muddy Waters, guitar, vocal; James Cotton, harmonica; Otis Spann, piano; Pat Hare, guitar; Andrew Stephenson, bass; Francis Clay, drums.
Chess Records LP 1442 (LP) 1960/Geffen (2015). Leonard Chess, prod.
The day after Election '24, John Atkinson asked for R2L4 picks. What music could possibly be powerful enough to deal with the comatose Blues I had fallen into? There was only one answer: Muddy Waters's first studio album for Chess Records, recorded in 1959, Muddy Waters Sings "Big Bill." The band was…
Julie Mullins
Franz Ferdinand: Franz Ferdinand
Domino Recording Co. DNO27CD (CD DNO27CD; Qobuz 16/44 file). 2004. Tore Johansson, prod.; Jens Lindgård, Stefan Kvarnström, eng.
I've struggled to describe this album's style to friends and have come up with something like "catchy, danceable post-punk art rock with modern glam rock flair." First, the angular guitar hooks, well, hooked me in. Next, the quiet lead-ins erupt in sudden, ecstatic, noisy bursts, rocking our world. Suggestions of after-hours dancing, darkness, and debauchery pop up amid minor-key tones and…