The Focal Diva Utopia loudspeaker made its US debut in New York City this past week, showcasing the combined expertise of French and English partners Focal and Naim in their first fully active, wireless, and connected loudspeaker.

Focal and Naim Audio CEO Cedrick Boutonet and group marketing manager Réjean Bedel were on hand to introduce the Diva Utopia at Manhattan’s Par Excellence store located in NYC’s fashionable East Village and the Bowery, where the city’s derelict community once held sway, now replaced by hip cafés and bars.

The Internet of Things has arrived at the stereo rack. Many hi-fi systems are now connected to the wider world, controlled by phones and tablets. Complex front panels with many switches and buttons have practically vanished; those still around are retro pieces or style statements. Little front-panel touchscreens with complex menu trees have been rendered vestigial or at least redundant. Designers of receivers, integrated amplifiers, and DACs must now at least consider incorporating a streaming module and a device-control app. In certain component categories and certain price brackets, a built-in app-controlled streamer is now a key part of the value proposition, much as a tuner was back in the days of terrestrial radio.

The Hegel H400 combines the functions of an integrated amplifier, DAC, and streamer.

Less than two weeks before the start of Munich High End 2024, I spent several days in Faro, Portugal (footnote 1), touring the modern 1000-square-meter headquarters and manufacturing facility of digital-audio company Innuos. My hosts were Amelia Santos, chief executive officer, and and Nuno Vitorino, chief technology officer.

Editor's Note: This article is in part about depression and suicide. If you think of harming yourself, the National Suicide Hotline is there to help: 1-800-273-TALK.

When German writer Johann Wolfgang von Goethe published The Sorrows of Young Werther in 1774, he intended for readers to finish it, but not, you know, to end it. To Goethe's disbelief, his novel sparked a spate of suicides. The title character, whose obsessive love for a married woman was unrequited, ended up shooting himself, and soon the copycatting started. Young men of the era would dress just as the fictional Werther had—yellow trousers, blue jacket—and use a similar pistol. Often, a copy of the book was found at the scene. The number of deaths was unsettling enough that Italy and Denmark banned Goethe's novel. The German city of Leipzig even outlawed Werther-style clothes for a while. The phenomenon is now known as the Werther effect.