At the end of November, I spent a couple days in Eindhoven, The Netherlands, getting a first look at Marantz's New Reference series audio components. During my brief visit to D+M's European HQ, I was fortunate enough to spend 40 minutes of one-on-one chat time with Ken Ishiwata, Marantz's famed Brand Ambassador, and a key component to Marantz's success for nearly 40 years. I was originally only scheduled to have 10 minutes with him, but thankfully, due to a last-minute adjustment, we were able to talk for longer.

Lake’s death, followed by the fact that I had three new 140 gram ELP LP reissues...

Eighteen years after 21-year old Matthew Shepard was robbed and beaten by two men who lured him to their truck, tied him to a fence in a field outside Laramie, WY, and left him to die, Harmonia Mundi has released a two-hybrid SACD set of Craig Hella Johnson's touching requiem, Considering Matthew Shepard. Johnson's sweet tribute, an apt reminder of the consequences of homophobia, is lovingly performed by Johnson's excellent, Grammy-winning Austin-based choir, Conspirare, and an occasionally augmented group of eight acoustic instrumentalists.

Perhaps there’s a little nostalgia talking here...

Register to win a Wireworld Starlight Cat8 Ethernet Cable ($210.00 Retail Value) we are giving away at AudioStream.com.

According to the company:

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All you have to do to enter is leave a comment at AudioStream.com. Click here for details on how to enter.

One of the few '70s funk/soul holy grails that’s actually worth digging for.

In "Music and Fractals" in the November 1990 issue, I discuss how digital audio's quantization of amplitude information in what was originally a continuous waveform represents a fundamental difference between analog and digital representations of music. In a letter published in the English magazine Hi-Fi Review in January 1990, John Lambshead conjectured that naturally originating sounds were pseudo-fractal in character; that is, their waveforms have a wealth of fine detail, and that detail itself has an even finer-structured wealth of fine detail, and so on, until the crinkliness of the waveform is finally enveloped in the analog noise that accompanies every sound we hear.