This story originally appeared at InnerFidelity.com
On the one hand you have Sony, Sennheiser, AKG, and the like mounting big bucks R&D efforts to grab at the various brass rings in the headphone world; and on the other hand you have a guy like Zach Mehrbach, Founder, CEO, and Chief Cook and Bottle-Washer at ZMF Headphones, who's artisanal approach is less mental and measurement, and more heart and art...lots more.
The pianist John Lewis, who died in 2001 at the age of 79, is best known as the leader of the Modern Jazz Quartet, but throughout that group's long life (19521992), he also composed, conducted, and played music for many other ensembles, large and small, tinged with influences from swing and the blues to Baroque, Renaissance, and Third Stream avant-garde. The Wonderful World of Jazz, recorded in 1960 on the Atlantic label, is one of his more obscure albums, but it's also one of his freshest.
I'd never heard it, until I received this new 180gm stereo LP, reissued by Pure Pleasure Recordings...
"Phase 4 stereo can only be described as a marvel of sound, a radically new and dramatically potent concept in the art of high fidelity reproduction . . . it stands for motion and an uncanny sense of spatial realism unapproached by conventional disc standards."
Uh huh. And we have a miraculous vintage tube amp out in the swamps, spanned by the Brooklyn Bridge, that we want to sell you!!!
In honor of the Lou Harrison Centennial, Naxos has just released a CD of three of Harrison's great pieces: the Violin Concerto (aka Concerto for the Violin with Percussion Orchestra), Grand Duo, and Double Music (with John Cage). Every piece on the recording, which is also available as a 24/48 download from multiple sites, is so unique and engaging, and the percussion so resounding, that tracks from the recording are guaranteed to open ears and turn heads in rooms I visit at the forthcoming AXPONA and LAAS audio shows.
It has been six years since we last released a recording on the Stereophile labela jazz album featuring Attention Screen, the late Bob Reina's free-jazz ensemble. This dry spell was mainly due to the increasing demands made on our editorial team's time by social media and the magazine's website, but also by John Atkinson's recording activities with the Portland State Chamber Choir, who issue their recordings on their own label. Nevertheless, we've been keeping our eyes and ears open for suitable opportunities.
...goes the song from the Middle Ages and no, it isn't really true in the month of Apriling. But the May issue of Stereophile is about to hit newsstands, mailboxes, and tables as we write and it is, we modestly claim, one heck of an issue!