Verity Audio Monsalvat Pro-4 Preamplifier, Amp-60 Reference Monoblocks, and Lohengrin IIS Reference loudspeaker system; Melco N1ZS/2A Music Server, TW-Acustic Raven Black Night Turntable; Dynavector XV-1 S MC cartridge; Cardas Cables, Quadraspire Rack

Verity Audio Monsalvat Pro-4 Preamplifier, Amp-60 Reference Monoblocks, and Lohengrin IIS Reference loudspeaker system; Melco N1ZS/2A Music Server, TW-Acustic Raven Black Night Turntable; Dynavector XV-1 S MC cartridge; Cardas Cables, Quadraspire Rack

Verity Audio's system paired their Lohengrin IIS Reference loudspeaker system (110,000 Euros/pair) with the following electronics: A new preamplifier with active crossover, the Monsalvat Pro-4 (64,000 Euros) is designed to work with the loudspeakers; two Verity Audio Monsalvat Amp-60 Reference power amplifiers ($58,000 each), which I reviewed in the June 2019 issue; a Melco N1ZS/2A music server (9,975 euros); a TW-Acustic Raven Black Night turntable (29,500 Euros) with Raven 12 tonearm (5000 Euros) and RPS 10 phonostage (6,000 euros), and a Dynavector XV-1 S MC cartridge (4500 Euros).

Vandersteen Audio's Model Seven Mk II loudspeaker System; Brinkmann Balance 2-Arm 33rd Anniversary Edition Turntable; Harmonic Resolution Systems Rack, and AudioQuest Cabling

Vandersteen Audio's Model Seven Mk II loudspeaker System; Brinkmann Balance 2-Arm 33rd Anniversary Edition Turntable; Harmonic Resolution Systems Rack, and AudioQuest Cabling

The characteristic—perhaps I should say inimitable—Vandersteen midrange was in evidence in a system that paired a Brinkmann Audio front end and amplification (detailed below) with Vandersteen ($63,999/pair). The top was quite lively, which made for an extremely exciting listen to an LP of Jeff Beck's extraordinary "Brush with the Blues." Highs were also haunting on the vinyl version of Lou Reed's hilarious (to me) 2003 recording "Vanishing Act." I didn't write down which digital tracks were played, but a return to vinyl with Vanessa Fernandez's "I Want You" revealed that the system also had excellent slam.

Krell K-300i Integrated Amplifier, Sonus Faber Olympica III Loudspeakers, ZenSati Cabling

Krell K-300i Integrated Amplifier, Sonus Faber Olympica III Loudspeakers, ZenSati Cabling

Krell had a big display at Munich High End show and seems to be on the brink—or maybe in the midst—of a major new-product and marketing surge. One major recent introduction is the K-300i integrated amplifier

Zellaton Reference MkII Speakers, YS Sound Electronics, Reed Turntable, Top Wing Cartridge, Schnerzinger Cabling

Zellaton Reference MkII Speakers, YS Sound Electronics, Reed Turntable, Top Wing Cartridge, Schnerzinger Cabling

Excellent bass, a somewhat toned-down presentation and somewhat dry midrange, and excellent imaging—the speakers completely disappeared—were the hallmarks of Zellaton Reference Mk II Loudspeakers (2018) (€147,950/pair). As with all our show reports, how much of what I heard was due to electronics previously unknown to me, and whose sound I cannot begin to describe until I hear them in a familiar context, I cannot ascertain.

Vienna Acoustics Mozart Speakers, Vincent SP-T700 Amplifiers, Pangea Cables

Vienna Acoustics Mozart Speakers, Vincent SP-T700 Amplifiers, Pangea Cables

Given the background noise, it was a little difficult to focus on the music from Yello and Roger Waters of Pink Floyd in the system from Vienna Acoustics and Vincent, but this little system's ability throw a large, ear-catching ambient soundstage was its strong point. Speakers were the Vienna Acoustics Mozart (€1800/pair). Vincent electronics included (I think) the new DAC-7, which handles up to 32/384 and DSD256 and has a tube output stage, along with the SA-T7 preamp (€2499), SP-T700 mono hybrid amplifier (€1999/each), CD-S7 hybrid CD player (€2199), and PHO-701 phono stage (€649). Cables were from Vincent and Pangea.

Raidho TD1.2 Speakers, Chord Ultima 2 Amplifiers, Pear Audio Blue Turntable, Top Wing Cartridge, Gamut Cabling

Raidho TD1.2 Speakers, Chord Ultima 2 Amplifiers, Pear Audio Blue Turntable, Top Wing Cartridge, Gamut Cabling

Raidho Acoustics' new TD1.2 speaker ($24,000/pair), whose unveiling I missed at AXPONA, resurfaced in Munich. Hearing a track from the Ray Brown Trio's Soular Energy led me to write, in my notebook, "Pretty amazing how well these small speakers create such a big soundstage." Transparency around solo instruments and percussion was quite exceptional. Save for a touch of dryness, which could have been room-related, this system sounded excellent.

PMC Does Miles in Dolby Atmos

PMC Does Miles in Dolby Atmos

Thanks to Michael Fremer, whom I ran into at the MOC while we both waited for the show to open on Day 3, I ended up at a private listening session in the PMC room. There, after Michael pulled out his video camera and engaged in a thorough, only-Michael-would-know-enough-to-ask-such-questions Q&A with PMC's Maurice Patist—it will appear at AnalogPlanet.com—we listened to two revivified tracks from Miles Davis's iconic Kind of Blue that have been given the full Dolby Atmos surround treatment.

Aavik M-300 Amplifiers, Børresen 05 Loudspeakers, Ansuz Cabling

Aavik M-300 Amplifiers, Børresen 05 Loudspeakers, Ansuz Cabling

Having heard at previous shows the pairing of Aavik electronics, Børresen loudspeakers, and Ansuz cabling, I've been trying to find language adequate to describe the quality of its earth-rooted bass and midrange. There's a very special, aged-in-wood component to its bass sound that I find fascinating. Combined with clear highs that, while not shy, are capable of conveying intimacy, the system made Anette Askvik's "Liberty" compelling listening.
Advertisement
Advertisement
Advertisement