I’ve known DeVore Fidelity’s John DeVore a long time. Luxman America President Jeff Sigmund, too. I’ve reviewed a few of their products—DeVore and Luxman. These guys are salt of the earth. They’ve got tradition, they love music, they have a desire to create, a desire to serve.

Before I knew who she was, I saw Roslyn in the hall handing out chocolate chip cookies that she baked herself. She was vivacious, with a heart-melting smile, and talking to everybody. Each hand-wrapped bag held two cookies and was tied with a ribbon in a bow, with a business card. (As I chatted with her I snuck cookie-bag after cookie-bag into my jacket pockets. I don’t think she noticed.)

The lighting in the Krell-Alta Audio room was bleak, gray, colorless. The only color in the entire room was the blue from the lights on Krell’s never-before-played-in-public K-300p phono preamplifier ($TBD), Krell Illusion line-level preamplifier ($7700), Krell Duo 300 XD amplifier, and Krell CEO Walter Schofield’s shiny blue jacket.

It’s easy to get lost at this hi-fi party.

I had woken up not long before, fallen out of bed, and descended the hotel stairs to the Atrium—to the sight of what appeared to be many tens of thousands of vinyl records. I had dragged myself away and met Herb Reichert for breakfast, where we made plans for Stereophile’s coverage of Capital AudioFest 2019. But the vinyl kept drawing me back.

I have been beating the headphone drum at Stereophile since I started in 2014. By 2016, when I reviewed Linear Tube Audio’s inaugural product, the microZOTL2.0 line-stage/headphone amplifier, I was falling asleep with AKG K812s on my head. (Now I’m falling asleep with HiFiMan Susvara and RAAL-requisite SR1a ribbon headphones.) To me, headphone listening is the gateway to audio’s newest wonderland.