This compact, $1600/pair monitor employs many of the same design features found in the company's highly rated <A HREF="http://www.stereophile.com//loudspeakerreviews/506/">Matrix 801 system</A>. Although the price is high for a two-way minimonitor, the 805 fits right into a growing high-end marketplace for such designs, one which emphasizes high quality in a small enclosure which will fit into most living-room environments without calling much attention to itself.

This compact, $1600/pair monitor employs many of the same design features found in the company's highly rated <A HREF="http://www.stereophile.com//loudspeakerreviews/506/">Matrix 801 system</A>. Although the price is high for a two-way minimonitor, the 805 fits right into a growing high-end marketplace for such designs, one which emphasizes high quality in a small enclosure which will fit into most living-room environments without calling much attention to itself.

This compact, $1600/pair monitor employs many of the same design features found in the company's highly rated <A HREF="http://www.stereophile.com//loudspeakerreviews/506/">Matrix 801 system</A>. Although the price is high for a two-way minimonitor, the 805 fits right into a growing high-end marketplace for such designs, one which emphasizes high quality in a small enclosure which will fit into most living-room environments without calling much attention to itself.

This compact, $1600/pair monitor employs many of the same design features found in the company's highly rated Matrix 801 system. Although the price is high for a two-way minimonitor, the 805 fits right into a growing high-end marketplace for such designs, one which emphasizes high quality in a small enclosure which will fit into most living-room environments without calling much attention to itself.

Although I still haven't been able to listen to the Cary Audio Design 805 single-ended tube monoblocks that <I>Stereophile</I> praised so highly a year ago (Vol.17 No.1, p.104), I've recently auditioned many other tubed single-ended designs. Undeniably, a good SE design has a distinctive quality of harmony and atmosphere in the midrange that reaches well beyond the average attainment of its solid-state brethren.

Although I still haven't been able to listen to the Cary Audio Design 805 single-ended tube monoblocks that <I>Stereophile</I> praised so highly a year ago (Vol.17 No.1, p.104), I've recently auditioned many other tubed single-ended designs. Undeniably, a good SE design has a distinctive quality of harmony and atmosphere in the midrange that reaches well beyond the average attainment of its solid-state brethren.

Although I still haven't been able to listen to the Cary Audio Design 805 single-ended tube monoblocks that <I>Stereophile</I> praised so highly a year ago (Vol.17 No.1, p.104), I've recently auditioned many other tubed single-ended designs. Undeniably, a good SE design has a distinctive quality of harmony and atmosphere in the midrange that reaches well beyond the average attainment of its solid-state brethren.

Although I still haven't been able to listen to the Cary Audio Design 805 single-ended tube monoblocks that <I>Stereophile</I> praised so highly a year ago (Vol.17 No.1, p.104), I've recently auditioned many other tubed single-ended designs. Undeniably, a good SE design has a distinctive quality of harmony and atmosphere in the midrange that reaches well beyond the average attainment of its solid-state brethren.

Although I still haven't been able to listen to the Cary Audio Design 805 single-ended tube monoblocks that <I>Stereophile</I> praised so highly a year ago (Vol.17 No.1, p.104), I've recently auditioned many other tubed single-ended designs. Undeniably, a good SE design has a distinctive quality of harmony and atmosphere in the midrange that reaches well beyond the average attainment of its solid-state brethren.

High-end-audio manufacturers are both more and less adventurous than their more mainstream contemporaries. While mainstream-audio manufacturers will almost invariably change their models every year, the changes are more often than not cosmetic&mdash;at least in between successive models. High-end manufacturers, on the other hand, will keep the same model in the line for several years, but make cosmetically invisible refinements along the way.