Following my reports on 13 mainly inexpensive loudspeakers that have appeared in the last four issues of <I>Stereophile</I>, I thought I would give myself a treat this month by reviewing the latest incarnations of a model that has stood the test of time: the two-way Celestion SL600Si...This is a carefully tuned infinite-baffle design, sacrificing ultimate extension for upper-bass and lower-midrange quality. Its crossover is conventionally British in that it puts flatness of on-axis amplitude response ahead of time coherence, while everything about it, from drive-units to the cabinet itself, is flagrantly "high-tech."

Following my reports on 13 mainly inexpensive loudspeakers that have appeared in the last four issues of <I>Stereophile</I>, I thought I would give myself a treat this month by reviewing the latest incarnations of a model that has stood the test of time: the two-way Celestion SL600Si...This is a carefully tuned infinite-baffle design, sacrificing ultimate extension for upper-bass and lower-midrange quality. Its crossover is conventionally British in that it puts flatness of on-axis amplitude response ahead of time coherence, while everything about it, from drive-units to the cabinet itself, is flagrantly "high-tech."

Following my reports on 13 mainly inexpensive loudspeakers that have appeared in the last four issues of <I>Stereophile</I>, I thought I would give myself a treat this month by reviewing the latest incarnations of a model that has stood the test of time: the two-way Celestion SL600Si...This is a carefully tuned infinite-baffle design, sacrificing ultimate extension for upper-bass and lower-midrange quality. Its crossover is conventionally British in that it puts flatness of on-axis amplitude response ahead of time coherence, while everything about it, from drive-units to the cabinet itself, is flagrantly "high-tech."

Following my reports on 13 mainly inexpensive loudspeakers that have appeared in the last four issues of <I>Stereophile</I>, I thought I would give myself a treat this month by reviewing the latest incarnations of a model that has stood the test of time: the two-way Celestion SL600Si...This is a carefully tuned infinite-baffle design, sacrificing ultimate extension for upper-bass and lower-midrange quality. Its crossover is conventionally British in that it puts flatness of on-axis amplitude response ahead of time coherence, while everything about it, from drive-units to the cabinet itself, is flagrantly "high-tech."

Following my reports on 13 mainly inexpensive loudspeakers that have appeared in the last four issues of <I>Stereophile</I>, I thought I would give myself a treat this month by reviewing the latest incarnations of a model that has stood the test of time: the two-way Celestion SL600Si...This is a carefully tuned infinite-baffle design, sacrificing ultimate extension for upper-bass and lower-midrange quality. Its crossover is conventionally British in that it puts flatness of on-axis amplitude response ahead of time coherence, while everything about it, from drive-units to the cabinet itself, is flagrantly "high-tech."

Following my reports on 13 mainly inexpensive loudspeakers that have appeared in the last four issues of <I>Stereophile</I>, I thought I would give myself a treat this month by reviewing the latest incarnations of a model that has stood the test of time: the two-way Celestion SL600Si...This is a carefully tuned infinite-baffle design, sacrificing ultimate extension for upper-bass and lower-midrange quality. Its crossover is conventionally British in that it puts flatness of on-axis amplitude response ahead of time coherence, while everything about it, from drive-units to the cabinet itself, is flagrantly "high-tech."

Following my reports on 13 mainly inexpensive loudspeakers that have appeared in the last four issues of <I>Stereophile</I>, I thought I would give myself a treat this month by reviewing the latest incarnations of a model that has stood the test of time: the two-way Celestion SL600Si...This is a carefully tuned infinite-baffle design, sacrificing ultimate extension for upper-bass and lower-midrange quality. Its crossover is conventionally British in that it puts flatness of on-axis amplitude response ahead of time coherence, while everything about it, from drive-units to the cabinet itself, is flagrantly "high-tech."

Following my reports on 13 mainly inexpensive loudspeakers that have appeared in the last four issues of <I>Stereophile</I>, I thought I would give myself a treat this month by reviewing the latest incarnations of a model that has stood the test of time: the two-way Celestion SL600Si...This is a carefully tuned infinite-baffle design, sacrificing ultimate extension for upper-bass and lower-midrange quality. Its crossover is conventionally British in that it puts flatness of on-axis amplitude response ahead of time coherence, while everything about it, from drive-units to the cabinet itself, is flagrantly "high-tech."

Following my reports on 13 mainly inexpensive loudspeakers that have appeared in the last four issues of <I>Stereophile</I>, I thought I would give myself a treat this month by reviewing the latest incarnations of a model that has stood the test of time: the two-way Celestion SL600Si...This is a carefully tuned infinite-baffle design, sacrificing ultimate extension for upper-bass and lower-midrange quality. Its crossover is conventionally British in that it puts flatness of on-axis amplitude response ahead of time coherence, while everything about it, from drive-units to the cabinet itself, is flagrantly "high-tech."

Following my reports on 13 mainly inexpensive loudspeakers that have appeared in the last four issues of <I>Stereophile</I>, I thought I would give myself a treat this month by reviewing the latest incarnations of a model that has stood the test of time: the two-way Celestion SL600Si...This is a carefully tuned infinite-baffle design, sacrificing ultimate extension for upper-bass and lower-midrange quality. Its crossover is conventionally British in that it puts flatness of on-axis amplitude response ahead of time coherence, while everything about it, from drive-units to the cabinet itself, is flagrantly "high-tech."