Several audio shows have been canceled or postponed since the COVID-19 pandemic took hold in early 2020: Munich, AXPONA, RMAF, Montreal, and the 2021 Florida Audio Expo, among others. The next scheduled show is the Finest Audio Show, slated for January 9–10 in Zurich. The next one in the Americas is the inaugural Seattle Audio Fest, planned for July 30–August 1. AXPONA, America's biggest show, near Chicago, was recently postponed for the second time until late August. Depending on how the pandemic evolves, it's possible those shows will not be able to take place as planned, either.

Back in June 1994, I reviewed the Bowers & Wilkins John Bowers Silver Signature standmounted loudspeaker. This speaker cost a breathtaking $8000/pair at that time, and I subsequently bought the review samples and their matching slate stands. It was the best-sounding speaker I had used in my Santa Fe listening room: When the company's then-owner, Robert Trunz, visited me a couple of years later, he told me that he hadn't realized how good the Silver Signatures could sound. But after I moved to Brooklyn, in 2000, the Silver Signature never worked as well in my new listening room. I still own the speakers, but they currently live in our storage unit.

So, what's "this thing of ours"? I'm only half-kidding. High-end audio is deadly serious for many passionate audiophiles. Some measurement types defend their turf without thought—without mercy—and often deride subjectivists, like me, who believe if you like what you hear, then that's what counts, enjoy. Objectivists say if you can't measure it, then it doesn't exist. Well, goes the retort, you don't know what to measure, your instruments aren't refined enough, and on and on.

The struggle continues to this day for some reason, and boy-howdy is it ferocious, especially regarding cables.