As Larry Greenhill states in his review of the <A HREF="http://www.stereophile.com//loudspeakerreviews/390/">MartinLogan Prodigy loudspeaker</A>, "Electrostatic speakers are my passion." But Greenhill's heard a lot of great 'stats in his time, so he was "both excited and uneasy" when a review pair of MartinLogan's latest arrived in his listening room. He needn't have worried.

When does cooperation become collusion? When does collusion become anti-competitive? Investigators at the US Justice Department have begun asking such questions in regard to plans by major music labels to make their wares available on the Internet.

<B>JANE MONHEIT: <I>Come Dream With Me</I></B><BR>N-Coded Music NC-4219-2 (CD) 2001. Joel Dorn, prod.; Carl Griffin exec. prod.; Todd Parker, eng.; Steve Mazur, asst. eng.; Gene Paul, sonic supervision. AAD? TT: 52:49<BR>Performance<B>****</B><BR>Sonics<B>*****</B>

The occasion was the 1999 Consumer Electronics Show, and I had sought out the Sony suite at Bally's&mdash;the word in the Las Vegas bars where audio journalists hung out was that Sony was demonstrating the production version of their <A HREF="http://www.stereophile.com//digitalsourcereviews/180/">SCD-1 Super Audio CD player</A>. I was glad I'd made the trek along the Strip: As I reported in the May 1999 <I>Stereophile</I>, the sound of a DMP recording&mdash;of unaccompanied choral music recorded and mixed in DSD by Tom Jung&mdash;was breathtaking, I felt, with an exquisite sense of space. It was definitely the best sound at the CES.

The occasion was the 1999 Consumer Electronics Show, and I had sought out the Sony suite at Bally's&mdash;the word in the Las Vegas bars where audio journalists hung out was that Sony was demonstrating the production version of their <A HREF="http://www.stereophile.com//digitalsourcereviews/180/">SCD-1 Super Audio CD player</A>. I was glad I'd made the trek along the Strip: As I reported in the May 1999 <I>Stereophile</I>, the sound of a DMP recording&mdash;of unaccompanied choral music recorded and mixed in DSD by Tom Jung&mdash;was breathtaking, I felt, with an exquisite sense of space. It was definitely the best sound at the CES.

The occasion was the 1999 Consumer Electronics Show, and I had sought out the Sony suite at Bally's&mdash;the word in the Las Vegas bars where audio journalists hung out was that Sony was demonstrating the production version of their <A HREF="http://www.stereophile.com//digitalsourcereviews/180/">SCD-1 Super Audio CD player</A>. I was glad I'd made the trek along the Strip: As I reported in the May 1999 <I>Stereophile</I>, the sound of a DMP recording&mdash;of unaccompanied choral music recorded and mixed in DSD by Tom Jung&mdash;was breathtaking, I felt, with an exquisite sense of space. It was definitely the best sound at the CES.

The occasion was the 1999 Consumer Electronics Show, and I had sought out the Sony suite at Bally's&mdash;the word in the Las Vegas bars where audio journalists hung out was that Sony was demonstrating the production version of their <A HREF="http://www.stereophile.com//digitalsourcereviews/180/">SCD-1 Super Audio CD player</A>. I was glad I'd made the trek along the Strip: As I reported in the May 1999 <I>Stereophile</I>, the sound of a DMP recording&mdash;of unaccompanied choral music recorded and mixed in DSD by Tom Jung&mdash;was breathtaking, I felt, with an exquisite sense of space. It was definitely the best sound at the CES.

The occasion was the 1999 Consumer Electronics Show, and I had sought out the Sony suite at Bally's&mdash;the word in the Las Vegas bars where audio journalists hung out was that Sony was demonstrating the production version of their <A HREF="http://www.stereophile.com//digitalsourcereviews/180/">SCD-1 Super Audio CD player</A>. I was glad I'd made the trek along the Strip: As I reported in the May 1999 <I>Stereophile</I>, the sound of a DMP recording&mdash;of unaccompanied choral music recorded and mixed in DSD by Tom Jung&mdash;was breathtaking, I felt, with an exquisite sense of space. It was definitely the best sound at the CES.

The occasion was the 1999 Consumer Electronics Show, and I had sought out the Sony suite at Bally's&mdash;the word in the Las Vegas bars where audio journalists hung out was that Sony was demonstrating the production version of their <A HREF="http://www.stereophile.com//digitalsourcereviews/180/">SCD-1 Super Audio CD player</A>. I was glad I'd made the trek along the Strip: As I reported in the May 1999 <I>Stereophile</I>, the sound of a DMP recording&mdash;of unaccompanied choral music recorded and mixed in DSD by Tom Jung&mdash;was breathtaking, I felt, with an exquisite sense of space. It was definitely the best sound at the CES.

The occasion was the 1999 Consumer Electronics Show, and I had sought out the Sony suite at Bally's&mdash;the word in the Las Vegas bars where audio journalists hung out was that Sony was demonstrating the production version of their <A HREF="http://www.stereophile.com//digitalsourcereviews/180/">SCD-1 Super Audio CD player</A>. I was glad I'd made the trek along the Strip: As I reported in the May 1999 <I>Stereophile</I>, the sound of a DMP recording&mdash;of unaccompanied choral music recorded and mixed in DSD by Tom Jung&mdash;was breathtaking, I felt, with an exquisite sense of space. It was definitely the best sound at the CES.