Let's start with some music—three discs I recently have been using to evaluate equipment as well as listen to for enjoyment. They are as contrasting in style as one could hope for, but all on an enviably high musical plane. (Space considerations compel brevity approaching that necessary to sell screenplays to producers at cocktail parties, footnote 1)

Let's start with some music—three discs I recently have been using to evaluate equipment as well as listen to for enjoyment. They are as contrasting in style as one could hope for, but all on an enviably high musical plane. (Space considerations compel brevity approaching that necessary to sell screenplays to producers at cocktail parties, footnote 1)

Two years ago, music business insiders were predicting that the industry's "Big Five" would eventually become the "Big Four," or possibly the "Big Three."

With two new high-rez audio formats on deck, is a CD-only player still relevant? John Atkinson listens to, and then measures, the <A HREF="http://www.stereophile.com//digitalsourcereviews/924/">Class&#233; CDP-10 CD player</A> to discover why it sometimes takes 20 years to perfect a format.

Is retailing headed up or down? North America's two largest electronics retailers have reported vastly different results for the second quarter.

The major record labels and the RIAA have invested much time and effort in sabotaging the MP3 file-trading revolution and its supporters. But the appeal of the compressed music format for a large segment of music fans is undeniable, and many critics of the RIAA have suggested that the petite and portable audio files should be embraced, not resisted.

It doesn't take much to read between the lines of Sony's discontinuation of the <A HREF="http://www.stereophile.com//amplificationreviews/700/">TA-P9000ES analog preamplifier</A> and their introduction of the SCD-XA9000ES SACD player with IEEE1394 digital output at <A HREF="http://www.stereophile.com/news/11662/">Home Entertainment 2003</A>. (A similar feature from the DVD-Audio camp has been promised.) Surely, we will at long last be able to have external digital processing and DACs in our preamp or control units. In addition to the freedom to mix and match components, this opens the door to having a single digital component manage bass and channel balance for all sources, and room/speaker correction without redundant redigitization.

It doesn't take much to read between the lines of Sony's discontinuation of the <A HREF="http://www.stereophile.com//amplificationreviews/700/">TA-P9000ES analog preamplifier</A> and their introduction of the SCD-XA9000ES SACD player with IEEE1394 digital output at <A HREF="http://www.stereophile.com/news/11662/">Home Entertainment 2003</A>. (A similar feature from the DVD-Audio camp has been promised.) Surely, we will at long last be able to have external digital processing and DACs in our preamp or control units. In addition to the freedom to mix and match components, this opens the door to having a single digital component manage bass and channel balance for all sources, and room/speaker correction without redundant redigitization.

In the town where I grew up there were two places to buy records: a family-owned department store and the local Woolworth's, both long gone. The first record I ever bought, the 45rpm single of Roger Miller's "King of the Road," came from the former in 1965. I was 11 years old.