New York City is a dream you can't have—glitz, glamor, grime, too much to take in from within, too much to understand from afar. It's a metropolitan manifestation of the Heisenberg principle, its nature changing with how you look at it. No matter how you try, you can't see the forest for the skyscrapers.

Register to win one of two Rhino Déjà vu 50th Anniversary Deluxe D2C Vinyl Editions (value $250.00 each), or a limited edition 16"x20" Henry Diltz photo signed by all four members of CSNY (value: $1,500/priceless) we are giving away.

According to Rhino:

"Presented as a 5 LP set in a beautiful box with a 12 x 12 softcover book, the collection comes illustrated with rarely seen photos from the era and annotated by writer/filmmaker Cameron Crowe, whose revealing liner notes recount the making of the album through stories told by the people who were there, including David Crosby, Stephen Stills, Graham Nash, and Neil Young."

[This Sweepstakes is now Closed.]

The made-in-Switzerland Stenheim Alumine Three floorstanding loudspeaker sells for $32,900/pair. It is not only the most expensive component I've reviewed for Stereophile; it costs more than 10 times (!) as much as my $3000/pair reference Falcon Acoustics Gold Badge LS3/5a speaker. So naturally I wondered: Will it sound 10 times better? And if it does sound 10 times better, what might the nature of the improvements be?

Lately I've been hearing stories about people getting back into hi-fi, often from the people themselves. Some are buying new gear, but others have dug out and dusted off older equipment. Demand for electronics repair services was surging even before the pandemic. Once it struck, once and future audiophiles stuck at home plumbed their basements, attics, and storage units and pulled out old hi-fi components, hoping to resurrect them, only to find they weren't working, or not well.

Should they get 'em fixed?