No one has ever accused Rockport Technologies' Andy Payor of under-engineering a product, and this set of gleaming black beauties is no exception. The system is available in two configurations: as the two-way Merak II for $19,500/pair, including sturdy custom cradle-stands with integrated crossover; and as the Merak II/Sheritan II, a three-way, two-box floorstander that, to afford them at $29,500, will reduce some to living in the speakers' shipping crates. You could do worse for housing than checking into the Sheritan Rockport: The wooden crates are almost exquisitely finished.

No one has ever accused Rockport Technologies' Andy Payor of under-engineering a product, and this set of gleaming black beauties is no exception. The system is available in two configurations: as the two-way Merak II for $19,500/pair, including sturdy custom cradle-stands with integrated crossover; and as the Merak II/Sheritan II, a three-way, two-box floorstander that, to afford them at $29,500, will reduce some to living in the speakers' shipping crates. You could do worse for housing than checking into the Sheritan Rockport: The wooden crates are almost exquisitely finished.

No one has ever accused Rockport Technologies' Andy Payor of under-engineering a product, and this set of gleaming black beauties is no exception. The system is available in two configurations: as the two-way Merak II for $19,500/pair, including sturdy custom cradle-stands with integrated crossover; and as the Merak II/Sheritan II, a three-way, two-box floorstander that, to afford them at $29,500, will reduce some to living in the speakers' shipping crates. You could do worse for housing than checking into the Sheritan Rockport: The wooden crates are almost exquisitely finished.

Attending a Consumer Electronics Show is enjoyable, productive, nerve-racking, and exhausting. Too many components, so little time. One has to prioritize to ensure sufficient time to cover everything intended. One needs to avoid certain rooms, such as those with new, unremarkable designs from companies whose designers would love to talk—for half an hour or more—with each audio reviewer who makes the mistake of sauntering in. There are also many rooms in that middle region—rooms on neither the Must Hit nor the Must Avoid list.

Attending a Consumer Electronics Show is enjoyable, productive, nerve-racking, and exhausting. Too many components, so little time. One has to prioritize to ensure sufficient time to cover everything intended. One needs to avoid certain rooms, such as those with new, unremarkable designs from companies whose designers would love to talk—for half an hour or more—with each audio reviewer who makes the mistake of sauntering in. There are also many rooms in that middle region—rooms on neither the Must Hit nor the Must Avoid list.

Attending a Consumer Electronics Show is enjoyable, productive, nerve-racking, and exhausting. Too many components, so little time. One has to prioritize to ensure sufficient time to cover everything intended. One needs to avoid certain rooms, such as those with new, unremarkable designs from companies whose designers would love to talk—for half an hour or more—with each audio reviewer who makes the mistake of sauntering in. There are also many rooms in that middle region—rooms on neither the Must Hit nor the Must Avoid list.

Attending a Consumer Electronics Show is enjoyable, productive, nerve-racking, and exhausting. Too many components, so little time. One has to prioritize to ensure sufficient time to cover everything intended. One needs to avoid certain rooms, such as those with new, unremarkable designs from companies whose designers would love to talk—for half an hour or more—with each audio reviewer who makes the mistake of sauntering in. There are also many rooms in that middle region—rooms on neither the Must Hit nor the Must Avoid list.

Attending a Consumer Electronics Show is enjoyable, productive, nerve-racking, and exhausting. Too many components, so little time. One has to prioritize to ensure sufficient time to cover everything intended. One needs to avoid certain rooms, such as those with new, unremarkable designs from companies whose designers would love to talk—for half an hour or more—with each audio reviewer who makes the mistake of sauntering in. There are also many rooms in that middle region—rooms on neither the Must Hit nor the Must Avoid list.

I'm never more conservative than when the subject turns to home audio. And at the end of the day, I want little more than to preserve the hobby's finest institutions: Alnico magnets. Parchment cones. Mono. Sonata form. Ballads that actually tell stories. Give me tubes. Give me vinyl. Give me thin-walled hardwood cabinets, obsolete tweeters, and handmade polypropylene woofers. Give me the Spendor BC1.

I'm never more conservative than when the subject turns to home audio. And at the end of the day, I want little more than to preserve the hobby's finest institutions: Alnico magnets. Parchment cones. Mono. Sonata form. Ballads that actually tell stories. Give me tubes. Give me vinyl. Give me thin-walled hardwood cabinets, obsolete tweeters, and handmade polypropylene woofers. Give me the Spendor BC1.