New experiences are some of the most pleasurable parts of being an audio reviewer. Despite being involved with the High End for longer than I care to think about, I had never had the experience of owning, living with, or reviewing a pair of electrostatic speakers, be they full-range or hybrid. I'd heard various Quads plenty of times at shows and in the homes of audio buddies, but in my own listening cave? Never.

New experiences are some of the most pleasurable parts of being an audio reviewer. Despite being involved with the High End for longer than I care to think about, I had never had the experience of owning, living with, or reviewing a pair of electrostatic speakers, be they full-range or hybrid. I'd heard various Quads plenty of times at shows and in the homes of audio buddies, but in my own listening cave? Never.

New experiences are some of the most pleasurable parts of being an audio reviewer. Despite being involved with the High End for longer than I care to think about, I had never had the experience of owning, living with, or reviewing a pair of electrostatic speakers, be they full-range or hybrid. I'd heard various Quads plenty of times at shows and in the homes of audio buddies, but in my own listening cave? Never.

New experiences are some of the most pleasurable parts of being an audio reviewer. Despite being involved with the High End for longer than I care to think about, I had never had the experience of owning, living with, or reviewing a pair of electrostatic speakers, be they full-range or hybrid. I'd heard various Quads plenty of times at shows and in the homes of audio buddies, but in my own listening cave? Never.

New experiences are some of the most pleasurable parts of being an audio reviewer. Despite being involved with the High End for longer than I care to think about, I had never had the experience of owning, living with, or reviewing a pair of electrostatic speakers, be they full-range or hybrid. I'd heard various Quads plenty of times at shows and in the homes of audio buddies, but in my own listening cave? Never.

New experiences are some of the most pleasurable parts of being an audio reviewer. Despite being involved with the High End for longer than I care to think about, I had never had the experience of owning, living with, or reviewing a pair of electrostatic speakers, be they full-range or hybrid. I'd heard various Quads plenty of times at shows and in the homes of audio buddies, but in my own listening cave? Never.

I am biased in favor of Paradigm loudspeakers. I've used them for 10 years; they offer good sound and good value, properties they share with a number of other Canadian makes who have taken advantage of Canada's National Research Council facilities in Ottawa. In fact, the first components I bought specifically for what is now my multichannel system were Paradigm Esprit/BP speakers, which had impressed me at a <I>Stereophile</I> show. When I took the step into multichannel and found that there wasn't a matching center-channel speaker for the Esprits, I replaced them with Paradigm's Reference Studio/60 v.2s. But while the smaller <A HREF="http://www.stereophile.com/loudspeakerreviews/628">Reference Studio/20</A>, and the larger <A HREF="http://www.stereophile.com/loudspeakerreviews/252">Studio/100</A&gt; have both been reviewed in <I>Stereophile</I>, the Studio/60 had not. The release of the v.2's successor, the Reference Studio/60 v.3 ($1699/pair), was an opportunity to fill that gap.

I am biased in favor of Paradigm loudspeakers. I've used them for 10 years; they offer good sound and good value, properties they share with a number of other Canadian makes who have taken advantage of Canada's National Research Council facilities in Ottawa. In fact, the first components I bought specifically for what is now my multichannel system were Paradigm Esprit/BP speakers, which had impressed me at a <I>Stereophile</I> show. When I took the step into multichannel and found that there wasn't a matching center-channel speaker for the Esprits, I replaced them with Paradigm's Reference Studio/60 v.2s. But while the smaller <A HREF="http://www.stereophile.com/loudspeakerreviews/628">Reference Studio/20</A>, and the larger <A HREF="http://www.stereophile.com/loudspeakerreviews/252">Studio/100</A&gt; have both been reviewed in <I>Stereophile</I>, the Studio/60 had not. The release of the v.2's successor, the Reference Studio/60 v.3 ($1699/pair), was an opportunity to fill that gap.

I am biased in favor of Paradigm loudspeakers. I've used them for 10 years; they offer good sound and good value, properties they share with a number of other Canadian makes who have taken advantage of Canada's National Research Council facilities in Ottawa. In fact, the first components I bought specifically for what is now my multichannel system were Paradigm Esprit/BP speakers, which had impressed me at a <I>Stereophile</I> show. When I took the step into multichannel and found that there wasn't a matching center-channel speaker for the Esprits, I replaced them with Paradigm's Reference Studio/60 v.2s. But while the smaller <A HREF="http://www.stereophile.com/loudspeakerreviews/628">Reference Studio/20</A>, and the larger <A HREF="http://www.stereophile.com/loudspeakerreviews/252">Studio/100</A&gt; have both been reviewed in <I>Stereophile</I>, the Studio/60 had not. The release of the v.2's successor, the Reference Studio/60 v.3 ($1699/pair), was an opportunity to fill that gap.

I am biased in favor of Paradigm loudspeakers. I've used them for 10 years; they offer good sound and good value, properties they share with a number of other Canadian makes who have taken advantage of Canada's National Research Council facilities in Ottawa. In fact, the first components I bought specifically for what is now my multichannel system were Paradigm Esprit/BP speakers, which had impressed me at a <I>Stereophile</I> show. When I took the step into multichannel and found that there wasn't a matching center-channel speaker for the Esprits, I replaced them with Paradigm's Reference Studio/60 v.2s. But while the smaller <A HREF="http://www.stereophile.com/loudspeakerreviews/628">Reference Studio/20</A>, and the larger <A HREF="http://www.stereophile.com/loudspeakerreviews/252">Studio/100</A&gt; have both been reviewed in <I>Stereophile</I>, the Studio/60 had not. The release of the v.2's successor, the Reference Studio/60 v.3 ($1699/pair), was an opportunity to fill that gap.