Crossing borders and genre boundaries is never easy, but for Bryce Dessner, it's become a familiar experience.

Dessner, 45, a classically trained guitarist, multi-instrumentalist, and composer, has racked up multi-hyphenates over the last couple of decades of his musical career. Arguably best known for his work with indie rock band The National—where he shares lead guitar, piano, songwriting, and other duties with his identical-twin brother Aaron—he's also an accomplished arranger and producer and cofounder of two record labels.

Despite one website's recent claim that "Vinyl's Revival Is Already Fading," Nielsen SoundScan recently announced that vinyl sales for the first half of 2018 were up 19.2% over 2017, led by Jack White's Boarding House Reach, with 37,000 copies sold so far (and we know that N/S misses a great deal of the action). While on the West Coast looking for business, a friend of mine who's about to open a major vinyl-pressing plant on the East Coast was told by everyone that they're experiencing "double-digit vinyl growth." No one was seeing a slowdown ahead.

J.S. Bach: Cello Suites, Beethoven: Hope Amid Tears: Beethoven Cello Sonatas, Brahms: Symphony No.3, Serenade No.2, Nino Rota: Chamber Music and Vaughan Williams: Symphonies Nos.4 & 6.

Gil Evans Orchestra: Out of the Cool, Harold Land: Westward Bound!, Hasaan Ibn Ali: Metaphysics: The Lost Atlantic Album and Chris Potter Circuits Trio: Sunrise Reprise.

Black Sabbath: Sabotage Super Deluxe and Chrissie Hynde: Standing in the Doorway.

Does the world need another audiophile reissue of Kind of Blue? This was the obvious question to ask upon news that Chad Kassem's Analogue Productions was joining the party. The album's arrival in the mail (yes, of course, I bought one) signaled that something special might be happening: the classy hard-box slip case with the wooden dowel spine, the Stoughton tip-on gatefold jacket graced with well-reproduced session photos, a handsome booklet, and, finally, the LP: a 200gm UHQR pressing on off-white Clarity vinyl.

Technics' sudden decision, in October 2010, to stop making its iconic SL-1200 direct-drive turntable, then in its MK6 iteration, took vinyl fans by surprise. At the time, although sales of vinyl and turntables for home use were surging, their use in clubs was falling as DJs moved to the digits. According to Technics (a division of Panasonic), production of the SL-1200 was stopped not because professional sales dropped, but because the factory tooling for manufacturing them had worn out, and retooling wasn't cost-effective.