MoFi's Coleman Brice shows off <I>his</I> latest LPS: Richard Thompson's <I>Some Enchanted Evening</I> and <I>Blood Sweat and Tears</I>.

Chad Kassem couldn't resist showing us his latest LPS: Sonny Terry's <I> Sonny Is King</I> and Johnny Griffin's <I>The Little Giant</I>.

Cayin's American distributor Sze Leung had three new units on display at the Acoustic Sounds booth: the Phono One ("under $2000"), a tube driven phono section, Citation Sound 1 ($3500) full-function preamplifier (phono section included), and the HA-1 ($700) tubed headphone amp/integrated amp (3Wpc). Jackson Mar and Anna Gao of Cayin's parent company, Zhuhai Spark Electronic Equipment Co., Ltd., came over for CES and couldn't resist grinning when the price of the HA-1 caused bystanders to whistle in admiration.

Telarc/Heads Up's Amanda Sweet displays the label's latest three discs: Ladysmith Black Mambazo's <I>Long Walk to Freedom</I>, Hiromi's <I>Spiral</I>, and Vilvaldi's Gloria paired with Bach's Magnificat. The Vivaldi/Handel disc is one of Wes' show demo discs, boasting extremely natural DSD surround.

Gotta sing! Gotta dance! The irrepressible Michael Fremer is excited about all the cool analog gear he is going to hear at CES, while Kal "multichannel" Rubinson takes it all in stride.

Sony's pre-Show press conference made little reference to sound quality, and SACD did not get even a mention. However, Sony's display did show their latest SACD player and the new MDR-V900HD headphones ($249), which have claimed frequency response extending to 80kHz. These 'phones sounded exceptionally smooth and well-balanced. Comfortable, too.

A closeup of the new NHB-18Ns preamplifier ($23,250).

I always have time Hervé Delétraz, so we jumped into Blue Light's room, where Jonathan Tinn had assembled a system to show off darTZeel's new NHB-18Nspreamplifier ($23,250). It's battery powered, offering 15 hours of listening between charging sessions and includes a fairly sophisticated phono section. Hervé doesn't believe in contact switches, potentiometers, or stepped attenuators, so he came up with new solutions—including an analog passive signal attenuator, which, he claims, operates over 96dB in .5dB increments.