AV Luxury Group International, based in Las Vegas, unveiled a system that stood out for its speed, openness, and impressive range of colors. A case in point: O-Zone Percussion Group's "Jazz Variants," that did a fine job of evoking the system's well-controlled deep bass and striking highs.

Jumping to the top level for the models whose entry-level brethren were demmed in Next Level HiFi's other room, the Wayne, IL-based dealer joined forces with Audio Group Denmark to display the Børresen B01 Silver Supreme Edition standmount loudspeaker ($60,500/pair with stands); the Aavik U580 class-D integrated amplifier ($35,000; 300Wpc into 8 ohms), which includes a DAC that does, over USB, PCM up to 32/192 and DSD128 as well as MQA; and the Aavik 5580 Streamer ($25,200). The entire 580 series utilizes external titanium supports for extreme mechanical resonance control and a copper-lined internal chassis for electrical noise control.

Now consolidated under the Audio Group Denmark umbrella, Aavik electronics, Ansuz cabling and accessories, and Børresen loudspeakers made an impressive showing in several rooms on the Hilton's 5th floor, sponsored by Next Level HiFi of the greater Chicago region.

The first (for me) of Next Level HiFi's rooms was dominated by Børresen Z1 Cryo monitors ($14,500/pair; above), Aavik's U180 class-D integrated amplifier with DAC ($10,800) and S180 streamer ($7200;), and Ansuz cabling.

Because its sound proclaims "major significance," our coverage starts with the show premiere of Graham Audio's LS5/5f loudspeaker ($24,995/pair). Unveiled in Munich, albeit only in passive display, the speaker was designed by Derek Hughes, son of the late Spencer Hughes, founder of Spendor.

In just a few minutes as I write these words, T.H.E. Show returns for another installment at the Long Beach Hilton. Rumored to offer approximately 40 exhibit rooms plus untold stands in the Marketplace and Headphonium, it has drawn exhibitors from all over the United States and beyond.

Bruckner: Symphony No.7, Shostakovich: Symphony No.7, "Leningrad", Jonathan Berger, Harriet Scott Chessman: Mỹ Lai and Terry Riley: Autodreamographical Tales.

Ornette Coleman: Genesis of Genius: The Contemporary Albums, Ches Smith: Interpret It Well, Melissa Aldana: 12 Stars, Tommaso Moretti: Inside Out and Immanuel Wilkins: The 7th Hand.

Cosmic American Derelicts: The Twain Shall Meet and Destroyer: Labyrinthitis.

I have never written about the ultraboutique reissues from the London-based Electric Recording Company. Pressed in quantities of 300 or so, each title sells out within days (or hours) of its release, despite a price tag of $400 or more. Why review what can't be had?