A consistent player both at shows and in the hi-fi world, Linear Tube Audio's Nicholas Tolson brought smart, sparse rigs to two AXPONA rooms that played great music.

When a brand that's rightly famous for world-class electrostatic panels wants to design a line of in-wall speakers, things can get pretty daunting. After all, electrostats are dipoles—sound flows from both the front and back. Installing a dipole in a wall is as useless as hanging a stained-glass window in a dark closet.

Trends come and go. Manufacturers lose their shirts and pull up stake. This year's hot design trend becomes tomorrow's price knockdown. Amid the hype and ballyhoo often found in high end audio, Audio Note (UK) remains an oasis of beauty, purity, and simplicity, and at affordable prices. A legacy brand that doesn't feel the need to change designs, when, after all they make music, Audio Note (UK) offered lucidity and great music at AXPONA.

Elton John fans, forgive me. I've nothing against the man, but most of his songs do less for me than a nude painting does for a blind man (that is, we literally can't see the attraction). So it was fairly remarkable that, in the Focal demo room, the Dolby Atmos version of Elton John's "Rocket Man" made the hairs on the back of my neck stand up. If a high-end rig can put you in touch with music you normally don't even care about, it's time to investigate.

Bill Duddleston brought not one, but four of his Legacy Audio systems to Axpona, where he mixed and matched components, but each system was largely unique, especially in the loudspeaker complement.

The AXPONA experience is head-spinning in more ways than one. So many rooms, so many people to meet, so much gear to listen to. And so much regret when you realize that you can't fit it all into two or three days, unless each day were to last as long as it does it on Mercury. (Maybe one day we'll have audio shows there—sign me up!)

Another head-spinner occurred Saturday morning when I had to almost forcibly drag myself off the listening couch in the 16th-floor Avantgarde Acoustic room, where dCS front-end gear and a pair of gargantuan Trio G3 horn speakers ($180,000) had bowled me over with perhaps the most heavenly, enveloping sound of the entire show. Why did I leave? Because I had an appointment at the Devialet room on the same floor to listen to...(drum roll) a Dolby Atmos soundbar.

Upscale Distribution's Kevin Deal brought his posse to AXPONA (left–right: Randy Bingham, Kevin Deal, Craig Hoffman, Alex Brinkman). Though Deal's room was static, he also sponsored legacy French brand, Cabasse, in an adjacent room, where Cabasse representative Jean-Michel Polit demoed the thrilling flagship Pearl Pelegrina loudspeakers ($20,999/pair).

After a few hours of listening to speakers that cost well into the five and six figures, how much enthusiasm could I muster for a pair that retails for just $995? As it turns out, a lot. I'd heard the $750/pair Magnepan LRS a few years ago and marveled at how low the admission price to true high-end sonics can be. They sounded fast, surefooted, and transparent. Magnepan's new LRS+ speakers offer more of the same but at an elevated level and a slightly elevated price. Wendell Diller, a.k.a. Mr. Magnepan, calls them "higher-resolution" speakers.

Presented in the Nirvana A Ballroom with Val Acora's Acora Acoustics granite SRC-2 loudspeakers ($37,000/pair), Valve Amplification Company (VAC) electronics sounded crisp, lively, and human.

Valve Amplification Company electronics also appeared in the Euphoria room, hosted by The Audio Company, where I believe Von Schweikert's Damon Von Schweikert and Leif Swanson were in attendance.