"New Patented Product Replaces Stereo Systems, Headphones and $100,000 Listening Rooms" declared the press release in red bold letters. "Introducing to the public for the first time a transformational new pure acoustic audio technology and the TigerFox® Immerse 360® Pure Acoustic Sound Pod—a disruptive new high-performance audio product that delivers immersive sound quality without the pain points of modern electronic sound systems."

More debuts awaited in Fidelis Distribution's second room, where Heretic Loudspeaker Company's handcrafted-in-Montreal A612 high-sensitivity loudspeaker (price TBD—no more than $10,000/pair, I was told) and Lab 12's handcrafted-in-Athens electronics sang with AVIDHIFI's Volvere turntable ($8000, below) equipped with a TA-3 tonearm ($650) and inexpensive (by audiophile standards) Grado Opus3 cartridge ($275). Through Lab 12 and Siltech cabling, the sax on "Trippin' Out," on an LP from Vanessa Fernandez, sounded fabulous, The energy of the track came through loud and clear. It was all I could do to stop myself from getting up and dancing. Without a doubt, this system delivered the most fun I'd had during my first two days at the show.

Could a year have passed since I spent a particularly memorable month reviewing the top-line, two-piece Esoteric Grandioso C1X preamplifier? As hard as it may be to realize that time has moved so fast during these strangely elongated years of pandemic isolation, revisiting Esoteric components in 11 Trading Company's room at AXPONA 2022 was like reuniting with an old friend. There was a lovely grace to this Esoteric system's presentation—an ease and flow—that set it apart from many of the other systems encountered at the show.

When I've visited the Zesto Audio room at different hi-fi shows in recent years, I've noticed that sometimes they've shown their tubed electronics driving modern loudspeakers from Lumen White, for instance. Other times, it's been vintage classics, such as Tannoys. At AXPONA, they chose very old-school Tannoy Kensington GR loudspeakers ($18,000/pair), which of course, showed quite different sound characteristics from, say, Lumen Whites.

In the spring of 1969, as an aspiring jazz drummer of 15 pretentiously and largely uncomprehendingly drawn to the music's difficult avant-garde, I learned that Don Cherry, Ornette Coleman's alter ego during Ornette's starvation years and an icon of free jazz himself, had recently moved to the village of Congers in my native Rockland County, New York, just north of New York City. Ornette was putting together a group drawn mostly from his early cohorts, and the call went out to Stockholm, where Don had settled—to the extent that he settled anywhere—with his Swedish wife, Moki. Hence his arrival practically on my doorstep.

Let's get right to it: The best way to set azimuth, as I recently wrote in this space, is to measure crosstalk using either a high-quality voltmeter or a digital oscilloscope and a good test record like Analogue Productions' The Ultimate Analogue Test LP (AAPT1). The traditional, qualitative procedure—setting the headshell so that it's parallel to the record surface—assures only cosmetic satisfaction.

A quarter century after Audio Analogue began in Italy, the company's products are again available in the United States. Thanks to Walter Swanborn and Dwight DiMartino of Fidelis Distribution of New Hampshire, visitors to AXPONA discovered the AADrive CD transport ($2850) and AA DAC ($4950), Puccini Anniversary integrated amplifier ($5850), Bellini Anniversary line preamplifier ($7750), Donizetti Anniversary power amplifier ($13,850, below), and AA Phono MM/MC phono stage ($2500).

From a new company came a new loudspeaker design that was four years in the making—thanks in part to the pandemic. But COVID downtime gave Malbork Audio founder and designer Daniel Fajkis (above) one advantage: more time to refine his inaugural Malbork Warsaw loudspeaker design through more math and engineering and simulations, Fajkis told me.

AXPONA offered the public a long-anticipated first listen to prototypes of Mytek's forthcoming Empire Streamer DAC ($24,995) and Empire GaNFET class-D monoblock amplifier ($9995/each or $19,990/pair). The former, which I'll review, may be in production by Munich High End in May; the latter is expected to launch in September.

If you're a regular attendee to audio shows you'll notice one constant, and that's a lack of consistency. At one show, Acme Turntables represents with Manny, Moe, & Jack's speakers. The next show, Acme has taken up with Beverly's speakers, and MM&J is now with Mr. Big's turntables. It's downright incestuous.

Into this audio polygamy come the good men of Volti Audio (Greg Roberts), BorderPatrol DACs and amplification (Gary Dews), and Triode Wire Labs cabling (Pete Grzybowski). These gentlemen have been hosting hi-fi rooms as a single organism since 2005!