Ease was the order of the day in the Marten/Jorma room. Soprano Anna Moffo sounded just lovely, with superb air and open soundstaging, on an LP of her singing the "Jewel Song" from Gounod's Faust. Ditto for pianist Byron Janis, whose superb-sounding recording of Rachmaninov's Third Piano Concerto graced a prized Mercury Living Presence LP. Deserving of honor was Swedish manufacturer Marten's new Mingus Quintet 2 loudspeakers (€62,000/pair, equivalent to US$66,100). This replacement for the original Mingus Quintet boasts a new midrange driver, lower distortion, higher sensitivity, a new crossover, and a less resonant cabinet than the previous model.

In a room that vied for recognition as the hottest enclosed space on the hottest floor on the hottest day of Munich High End, 45-year-old Burmester Audio introduced its new CEO, Industrial Engineer Frank Weise, and at least four new products.

The stylus that cuts the grooves in your favorite records is best described, in simple terms, as "chisel-shaped." The most accurate playback styli—the "extreme" ones that extract the maximum amount of information from the grooves—have a similar shape, with sharper and more severe contact edges than a standard elliptical stylus, itself an advance over spherical styli.

At a well-organized Munich press conference, Danish speaker company Raidho, now owned by Dantax, introduced the successor to the X1, the Raidho X1t Super Mini Monitor (€5800, presumably for the pair and equivalent to US$6210). The speaker is equipped with the company's planar-magnetic ribbon tweeter, which claims 50 times less mass than conventional dome tweeters; a 5.25" tantalum-coated ceramic-on-aluminum midbass driver, which claims to raise breakup modes to 15kHz; and a rear port. Frequency range is 70Hz–50kHz, impedance >6 ohms, sensitivity 85dB, and black piano and white piano finishes.

Finally, after three dark years of COVID-related cancellations and postponements, one of audiophilia's biggest and most important shows, Munich High End 2022, took place on Thursday–Sunday, May 19–22, at the city's huge MOC.

Great hi-fi can give you goosebumps. And it relates to another source of horripilation: live music, and its recordings. I've also always been a live music junkie—ever since I was a kid.

I was fortunate to have grown up attending the Cincinnati Symphony Orchestra and Cincinnati Pops Orchestra's "LolliPops" children's concerts. I'd seen some tepid live acts as a kid (ie, Donny and Marie). But nothing prepared me for my first rock concert. It, um, rocked my world.