Rumor had it that if the MF2500 amplifier had gotten any better in development, Conrad-Johnson would have had to include it in their "Premier" series. However, C-J's intention was to hold to the lower price of their established MF series, and so they have. Rated at 240Wpc and retailing for $3495, the '2500 is the core model of Conrad-Johnson's current range of "MF" power amplifiers. Its companion MF2250 offers 120Wpc, while the MF5600 delivers 120Wx5 for multichannel home-theater applications.

Rumor had it that if the MF2500 amplifier had gotten any better in development, Conrad-Johnson would have had to include it in their "Premier" series. However, C-J's intention was to hold to the lower price of their established MF series, and so they have. Rated at 240Wpc and retailing for $3495, the '2500 is the core model of Conrad-Johnson's current range of "MF" power amplifiers. Its companion MF2250 offers 120Wpc, while the MF5600 delivers 120Wx5 for multichannel home-theater applications.

Many pundits in our industry say that CD is under threat from <A HREF="http://www.stereophile.com/asweseeit/164">Super Audio CD</A>, <A HREF="http://www.stereophile.com/asweseeit/270">DVD-Audio</A&gt;, and dual-layer CD/DVD technologies. Conflicting stories abound, and even though I'm supposed to be well-informed, I've found some of them hard to sort out! For example, Michael Fremer, concluding a fine review of the $7500 Bow Technologies ZZ-Eight integrated CD player in August, compared its notable 16-bit/44.1kHz achievement with a DVD-based disc originally mastered at 24/96kHz and replayed on an inexpensive DVD player. He found the Bow wanting in some respects. What is the world coming to?

Many pundits in our industry say that CD is under threat from <A HREF="http://www.stereophile.com/asweseeit/164">Super Audio CD</A>, <A HREF="http://www.stereophile.com/asweseeit/270">DVD-Audio</A&gt;, and dual-layer CD/DVD technologies. Conflicting stories abound, and even though I'm supposed to be well-informed, I've found some of them hard to sort out! For example, Michael Fremer, concluding a fine review of the $7500 Bow Technologies ZZ-Eight integrated CD player in August, compared its notable 16-bit/44.1kHz achievement with a DVD-based disc originally mastered at 24/96kHz and replayed on an inexpensive DVD player. He found the Bow wanting in some respects. What is the world coming to?

Many pundits in our industry say that CD is under threat from <A HREF="http://www.stereophile.com/asweseeit/164">Super Audio CD</A>, <A HREF="http://www.stereophile.com/asweseeit/270">DVD-Audio</A&gt;, and dual-layer CD/DVD technologies. Conflicting stories abound, and even though I'm supposed to be well-informed, I've found some of them hard to sort out! For example, Michael Fremer, concluding a fine review of the $7500 Bow Technologies ZZ-Eight integrated CD player in August, compared its notable 16-bit/44.1kHz achievement with a DVD-based disc originally mastered at 24/96kHz and replayed on an inexpensive DVD player. He found the Bow wanting in some respects. What is the world coming to?

Many pundits in our industry say that CD is under threat from <A HREF="http://www.stereophile.com/asweseeit/164">Super Audio CD</A>, <A HREF="http://www.stereophile.com/asweseeit/270">DVD-Audio</A&gt;, and dual-layer CD/DVD technologies. Conflicting stories abound, and even though I'm supposed to be well-informed, I've found some of them hard to sort out! For example, Michael Fremer, concluding a fine review of the $7500 Bow Technologies ZZ-Eight integrated CD player in August, compared its notable 16-bit/44.1kHz achievement with a DVD-based disc originally mastered at 24/96kHz and replayed on an inexpensive DVD player. He found the Bow wanting in some respects. What is the world coming to?

<A HREF="http://www.arkivmusic.com">ArkivMusic</A&gt;, one of the Web's leading sources for classical music recordings, has struck a deal that enables them to release on their own reissue label, ArkivCD, out-of-print titles from the extensive catalogues of EMI Classics, Virgin Classics, and Angel Records. The reissues are available "on demand," copied from actual out-of-print CD releases (not master tapes) without compression or enhancement, and are often accompanied by copies of the original liner notes.