That, somehow, the "absolute sound" of live music is locked up within the grooves or pits of the discs we play and can be retrieved in its entirety if only we had a a good enough playback system is one of the enduring myths in high-end audio. Yet the art of recording is just that, an art, and it is entirely possible that a better playback system will sound worse with some recordings. And with the mainstream press telling would-be audiophiles that low–bit-rate MP3s are of "CD quality" and that even CD is overkill for audiophile sound quality, why would anyone need high-resolution recordings?

On October 4, a federal jury in Duluth, MN found Jammie Thomas liable for copyright infringement, imposing a damages assessment of $220,000 ($9250 for each of 24 songs). It was the first jury trial resulting from the series of lawsuits the recording industry began in September 2003. Since most of those suits were settled out of court (average settlement: $4000) or defaulted, <I>Capitol Records v. Thomas</I> was the rare case to actually go to court and in front of a jury. It was interesting in ways other than its seemingly high damages.

Radiohead, whose last recording, <I>Hail to the Thief</I>, debuted at number three on <I>Billboard</I>'s top 200 chart in 2004, announced that its new recording, <I>In Rainbows</I>, will be available as a DRM-free download on October 10. The new twist, however, is that consumers can pay any amount they wish for it.

ArkivMusic.com has just signed a deal with Warner Classics to reissue, on demand, out-of-print recordings from Teldec, Erato, and Warner Classics. The site's first 300 offerings from the Warner USA catalog, available at the end of October, will join the more than 4000 other out-of-print titles from EMI, Sony/BMG, Universal Music Group, and two dozen independent classical music labels now available on demand from ArkivMusic on ArkivCD. An additional 1000 ArkivCD reissue titles should become available by the end of 2007.